1

(6 replies, posted in Releases)

spicy

2

(89 replies, posted in General Discussion)

@invisiblerobothands is a "rich cultural heritage" of both stupid and mismanaged content (the other bands from shows I've played, boring photos of stuff I've found, shitty "selfies", and occasional tastes of songs I've worked on). Latest vids have mostly been me demo-ing the effects of poking around in the code of a noisy rom and sculpting a personal version of it.

3

(33 replies, posted in Nintendo Handhelds)

Xuriik wrote:

Yeah, when you brought up the versions I figured I should update, and that seems to have fixed it. Thanks for the ROM and the support!

If I may add to comments I've already seen about this, I do think that the addition of two functions, one to hold the audio/visuals in place, similar to shitwave; and one to control the speed of the changes; this would become a great tool/toy to play with live.

I've been playing with this again lately and desperately wishing a "hold" feature were implemented.

4

(33 replies, posted in General Discussion)

I remember talkin' to this homie back on Myspace. I was hanging out with Brian Chippendale a few months ago and I guess the two of them are friends; not surprising.

5

(43 replies, posted in General Discussion)

~Got hit by a car on the first day of high school (2007) and got wicked jacked up.

~Couldn't play guitar for almost a year; learned about Famitracker and GoatTracker instead of going to gym class.

~Acquired lsdj eventually; busked a lot. Got some house shows after busking hard. Came up with a lot of ways of making it functional as a live instrument.

~Got more shows. Went to college for American modernist lit theory; focused too much on lsdj. Played more shows. Started an indie/new wave band that used lsdj. Played shows with them.

~Dropped out; started playing even more shows. Went on tour for a month, honing the craft and thinking a lot about the use of space and the weird "social dynamics" operating during performance.

~Started reading/re-reading a lot of stuff from college on theories of occidental culture, technology and industry, post-futurism, and neo-modernism. Wrote out and revised a lot of ideas that I wanted to explore in my act. Totally lost interest in any chip stuff that didn't make the gameboy sound ugly and gross. Developed a caffeine habit and got really pessimistic about stuff. Became determined to make absurd/bleak work. Started listening to a lot of breakcore and harsh noise/power electronics (Hanatarash, Datach'i, Whitehouse, etc.), went to a lot of performance art and noise shows. Pretty much left the chip "scene" (?) like 99.98% by this point (I'm still on here hehe). I don't bill myself as "chipmusic" and am careful to avoid advertising/pimping out the gameboy as this big 'part of' the project or anything like that, and I kind of don't even play with other chip acts anymore. Generally get booked for shows with noise/performance acts and hardcore/grindcore bands.

~Applied for a room in an artists' studio in the city; got accepted. Started a new band (not chip) with friends and a side project (slow, wacked out lsdj + no-input noise module) with a different friend. Still find time to do IRH shows sometimes, but I make it a point to never have my sets repeat themselves at all, which means it takes like a month to prepare a show.

9PM
$5 donation
The Funky Jungle
Providence, RI
{ask a punk for the address}

S T E P I N T O T H E O C T A G O N

https://www.facebook.com/events/195064324252453

S T E P I N T O T H E O C T A G O N

I've been making "pure" vaporwave with custom-made modular vsts, some sneaky '80s mixing techniques, minimal sampling, and a tape deck (as opposed to any chip gear), which isn't really what this thread was about.

But yeah, here's a taste from a while back:
http://invisiblerobothands.bandcamp.com … 420fuckyou

I did also do this once:

but i guess that's not really what this thread is about, either.

8

(58 replies, posted in General Discussion)

I dunno what's "sad" chipmusic really, but this is certainly an emotional banger:

https://xyce.bandcamp.com/track/mosaik-ft-radix

9

(59 replies, posted in General Discussion)

Vaervaf, Orangy, Viking Girlfriends; internet-only samples-only weird dudes.

10

(38 replies, posted in General Discussion)

1.) Limitations are less-so limitations and more like guidelines of form, and as a Modernist, I'm all about using that stuff to rein in creative abstraction

2.) Nasty 4-bit sample drums sound gross and gritty as hell and wicked hardcore at high tempos

3.) LSDJ fits in my pocket and I can set up and go during a set super easy; can mosh and slam into people in the crowd, etc.

11

(46 replies, posted in General Discussion)

Dirty-ass crusty wav sample breaks at high speed (BRKCORE)

12

(7 replies, posted in Releases)

Shadow Force is so dank it hurts.

13

(27 replies, posted in General Discussion)

Generally people are slightly put off during my sets because I make the gameboy do dissonant abrasive stuff, write undanceably fast shit, break stuff, scream pessimistic things about the future, and mosh into the crowd a lot. Not "metal" really; usually hardcore/harsh noise/breakcore/shitdicks

https://invisiblerobothands.bandcamp.co … e-emulator

https://invisiblerobothands.bandcamp.co … reattthhss

https://invisiblerobothands.bandcamp.co … ked-brunch

https://invisiblerobothands.bandcamp.co … /lightning

also check out dudes like overthruster, shitbird, b4byf4c3, nnnnnnnnnn, kool skull, desumate, comptroller, 10thousandfreemenandtheirfamilies, timeheater, ccdm, narwhalz of sound, ralp, abortifacient, hexadeci, and meneo

catskull wrote:

Rarely. Really only if something catches my eye, has a high rating, or an artist is familiar. Seems like half the time it's just bit rave fruity loops though.

Pretty much all of this. Mostly just if it's a familiar artist, though.

15

(46 replies, posted in General Discussion)

maybe Nasenbluten's "We've Got the Balls"

16

(13 replies, posted in Audio Production)

I am incessantly told "your releases are too fucking quiet bro" by everyone ever, like a song is at its ideal volume when your volume dial is at 1% and it's already too loud