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Heaps soon!

Hang on there. Do you remember we had that thing earlier in the year, what was it? Burp? Bop? Blip?
You're in Adelaide. Home of DOCTOR CHIPTUNE SCALE.
Dragon derp genius abrasive is Sydney via Melbourne.
Pixelbro Ilija lives here now.
Gentle hurst kills sharks.
10k, Derris Kharlan, dot.ay, abortifacient, Hunz.

We so chiptune famuss.

Plus I we are including general Amiga music, motherfucking nasenbluten.

Victory road: maddest kings and pselodux are both ex-Perth.

We're thinking of quitting chip and becoming the local air hockey scene.
(because we are so good at chip we can wait for the rest of you to catch up while we discuss the workings of pneumatic bowling simulators. )

If you use an envelope command with no instrument number it works best.
Also a lot of times that "crash"sound is just noise with low pass being pulled down on it. Ad side gaining for best effect.

Pick a fight with everyone in the crowd.

Partially was. But mostly everything else you said.
There are really 3 approaches to releasing music.
1. Release 50 EPs in your first year and be ignored until at some point you reach a crossover of someone listens and it's good.
2. Become well known from forum interactions/individual tracks and people beg you to release an EP.
3. Work really hard on quality control and come out with something amazing first time around.

The track was done in LSDJ.

As far as how it works, I always find it works if you try and make single drum hits with your mouth (this is also helpful for pulse stuff too). Then slow it down while you do it and think about what you are doing to make that sound. You'll find that you're also filtering by opening and closing your mouth, but, think about how you are pitching the sound vocally. Also think about the envelope you are creating. Then play around and see how it sounds if you start pitching it differently - what happens if you just "sweep" it up? What if you increase the length of time you sweep up before going down again?
Then you can apply this knowledge to your noise channel instrumentation.