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	<title type="html"><![CDATA[ChipMusic.org - Help with essay on tech affecting composing speeds?]]></title>
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	<updated>2013-02-11T21:21:51Z</updated>
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	<id>https://chipmusic.org/forums/topic/10163/help-with-essay-on-tech-affecting-composing-speeds/</id>
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			<title type="html"><![CDATA[Re: Help with essay on tech affecting composing speeds?]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/155769/#p155769"/>
			<content type="html"><![CDATA[<p>Awesome <img src="https://chipmusic.org/forums/img/smilies/smile.png" width="15" height="15" alt="smile" /> Thank you very much. I hadn&#039;t really thought about what you write on a computer and how you&#039;d write it on an instrument differing.</p>]]></content>
			<author>
				<name><![CDATA[threesecondsecret]]></name>
				<uri>https://chipmusic.org/threesecondsecret</uri>
			</author>
			<updated>2013-02-11T21:21:51Z</updated>
			<id>https://chipmusic.org/forums/post/155769/#p155769</id>
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		<entry>
			<title type="html"><![CDATA[Re: Help with essay on tech affecting composing speeds?]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/155737/#p155737"/>
			<content type="html"><![CDATA[<p>Adding to this, prior to learning sequencers if I composed I wrote to paper just as quickly as I punch in a tracker now, meaning that the handwritten music is more deliberate, less &quot;jammed.&quot;</p><p>When I wrote to manuscript I could write faster than I could punch notes into notation software.</p>]]></content>
			<author>
				<name><![CDATA[chunter]]></name>
				<uri>https://chipmusic.org/chunter</uri>
			</author>
			<updated>2013-02-11T19:10:06Z</updated>
			<id>https://chipmusic.org/forums/post/155737/#p155737</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: Help with essay on tech affecting composing speeds?]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/155712/#p155712"/>
			<content type="html"><![CDATA[<p>from my experience using that kind of technology has greatly increased my usage of aleatory or accidental elements in composition via a destructive/random cut and paste techniques. i can use the tech to quickly come up with musical sequences i would never think of otherwise.</p>]]></content>
			<author>
				<name><![CDATA[sugar sk*-*lls]]></name>
				<uri>https://chipmusic.org/sugar+sk%2A-%2Alls</uri>
			</author>
			<updated>2013-02-11T17:38:22Z</updated>
			<id>https://chipmusic.org/forums/post/155712/#p155712</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Help with essay on tech affecting composing speeds?]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/155686/#p155686"/>
			<content type="html"><![CDATA[<p>Hi guys,</p><p>I’ve got some uni essays to write, can I pick your brains as some of my research? <img src="https://chipmusic.org/forums/img/smilies/smile.png" width="15" height="15" alt="smile" /></p><p>One of them is on the speed of composing changing with the introduction and advancements in technology.</p><p>Does anyone have any thoughts/experience with this? I’m kind of thinking in terms of composing on early computers/DAWs compared to like a MacPro running ProTools, or things like using hardware synths compared to VSTs.<br />Also does anyone compose without any tech, like scoring for orchestra and then do the same genre in software, and how does that differ in speed?</p><p>Finally, does anyone run something like Cubase 1-3 on an Atari as well as a modern DAW (ideally Cubase 6) that could possibly do a few tests on speed to enter MIDI data etc.</p><br /><p>Cheers! <img src="https://chipmusic.org/forums/img/smilies/smile.png" width="15" height="15" alt="smile" /><br />Jack</p>]]></content>
			<author>
				<name><![CDATA[threesecondsecret]]></name>
				<uri>https://chipmusic.org/threesecondsecret</uri>
			</author>
			<updated>2013-02-11T13:12:01Z</updated>
			<id>https://chipmusic.org/forums/post/155686/#p155686</id>
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