This is one of my favourite release of extreme glitchy noise so faaaaaaaaaargh!!!

Thanks Im  teaming up with my Datathrash partner OptimusChad for a full lenghth digital hardcore style album with a lot of these element.  If you like extremes keep an eye out for "Abandoned On Fire".

I know I make well-mannered melodic music, but I'm always super inspired by people pushing the noisier envelopes.

This is awesome, and listening to this gave me fresh ideas to try in my own music.

Bra-fucking-vo!

  That's the most meaningful compliment you could have given. 

This is awesome, and listening to this gave me fresh ideas to try in my own music.

Bra-fucking-vo!

The machine gun rattling is the voice emulator?

^^^lol at that gif

So all the wav channel stuff is done using this

in the DIST field of a kit instrument which gives you the weird numbers like you mentioned.  To get maximum clipping and weirdness you need to have both sample channels playing together, loop set to on, and then it's just a matter of a LOT of exploring and trial and error.    The S command in a table is also your friend, on a sample it moves the loop point at different rates.  Sometimes I used a the vocal sounds as normal samples, other times samples from the ANIMLZ kit work great or really any of them once you experiment enough.

I wish I knew what, if anything, the digits in the DIST field mean.  Maybe I can get some info out of nitro if he happens by this thread.

Oh yeah, the reason I say that you should use a pre 4.7.0 lsdj is that this technique isn't nearly as extreme with nitro's sample playback fix.  Evidently a lot of the sound I'm using isn't from the sample itself but from the clicky-nasty playback that was present in lsdj before that version.

How the hell did you give a numbers-value in the DIST field for samples? I play around with it, and it switches to wrap and I can't change it to numbers back again. Is it a LSDJ version thing?

I have to study damn it, why is this so awesome?

beautiful

You obviously have a cultured and considered taste in music. 

I feel this quote that's been going around tumblr is appropriate:

"Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them."
— Brian Eno, A Year With Swollen Appendices

Have my children. We'll try avoid alienating them from your existing marriage. We can make this work Arnie.

Butt baby bastards are fine with me. 

Call it the special "ear rape" edition.

lol, exactly

Also, I urge ya'll to load up the sav in a pre 4.7.0 version of lsdj to see just how much of this ISN"T the amp and crappy mic.