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	<title type="html"><![CDATA[ChipMusic.org - On sampling for trackers]]></title>
	<link rel="self" href="https://chipmusic.org:80/forums/feed/atom/topic/13493/"/>
	<updated>2014-02-27T20:37:14Z</updated>
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	<id>https://chipmusic.org/forums/topic/13493/on-sampling-for-trackers/</id>
		<entry>
			<title type="html"><![CDATA[Re: On sampling for trackers]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/202044/#p202044"/>
			<content type="html"><![CDATA[<p>You could just try naming the sample something like &quot;F&quot;, so you know it&#039;s an F chord you&#039;re playing when you press a C key. Or you can make the actual root note of the sample an F, so then it will play back as sampled at an F key.</p><p>If you find yourself in a situation where you need a C chord with something like an A in the bass, just use slash chords for naming, like &quot;C/A&quot;. </p><p>It&#039;s all in the name.</p>]]></content>
			<author>
				<name><![CDATA[Vaina Moinen]]></name>
				<uri>https://chipmusic.org/Vaina+Moinen</uri>
			</author>
			<updated>2014-02-27T20:37:14Z</updated>
			<id>https://chipmusic.org/forums/post/202044/#p202044</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: On sampling for trackers]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/201691/#p201691"/>
			<content type="html"><![CDATA[<div class="quotebox"><cite>breakphase wrote:</cite><blockquote><p>I guess I don&#039;t know what you mean by &quot;sample to&quot; C, or G or whatever. If you mean which note to map it to, yeah I would stick with the root note. I&#039;m with ya on that.</p><p>Personally I always try to have an intention for each sample as I record it, but the song can get &quot;brittle&quot; that way.</p></blockquote></div><p>Ah my bad! That&#039;s the phrase I was looking for - map to note. Thanks!</p><p>What I&#039;m really talking about considers chord inversions. Like if I went to my synth and sampled a chord of C - F - A and then mapped that pitch to C-4, it would confuse me because the root of that chord is actually F</p>]]></content>
			<author>
				<name><![CDATA[an0va]]></name>
				<uri>https://chipmusic.org/an0va</uri>
			</author>
			<updated>2014-02-24T00:21:50Z</updated>
			<id>https://chipmusic.org/forums/post/201691/#p201691</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: On sampling for trackers]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/201674/#p201674"/>
			<content type="html"><![CDATA[<p>I guess I don&#039;t know what you mean by &quot;sample to&quot; C, or G or whatever. If you mean which note to map it to, yeah I would stick with the root note. I&#039;m with ya on that.</p><p>Personally I always try to have an intention for each sample as I record it, but the song can get &quot;brittle&quot; that way.</p>]]></content>
			<author>
				<name><![CDATA[breakphase]]></name>
				<uri>https://chipmusic.org/breakphase</uri>
			</author>
			<updated>2014-02-23T18:36:44Z</updated>
			<id>https://chipmusic.org/forums/post/201674/#p201674</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: On sampling for trackers]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/201647/#p201647"/>
			<content type="html"><![CDATA[<p>I personally with chords, would record them to the key of C, so if you want to use a DbMaj7, then record it in the key of C as a CMaj7, ie. B - C - E - G, and then just input it at the pitch you want it.</p><p>I like to think of it as a similar way to making chords in trackers with the distance rather than the notes, so, in LSDJ, I would have a table that has the major chord notes, and one for minor, and just apply them to the notes I want. </p><p>In sample recording, I would do similar, and record a major chord, minor chord, etc... and then just apply them for different notes.</p>]]></content>
			<author>
				<name><![CDATA[Panda Chan]]></name>
				<uri>https://chipmusic.org/Panda+Chan</uri>
			</author>
			<updated>2014-02-23T06:58:15Z</updated>
			<id>https://chipmusic.org/forums/post/201647/#p201647</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[On sampling for trackers]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/201644/#p201644"/>
			<content type="html"><![CDATA[<p>Might have a lot of good ideas here. This is about if you have your own synths/softsynths, and you resample them for usage in trackers.</p><p>I know it&#039;s obvious to sample a lot of your own stuff at C, and I get the idea of sampling chords in all different voicings for variety....but what about inversions? Like if you have a CMaj7 chord voiced G-B-C-E, would you usually sample that to C-4 or the lowest note (which in this voicing, happens to be G)?</p><p>Or if you have another chord like C - Db - F - Ab...? C is the lowest note here, but this is obviously a DbMaj7 chord. Sampling this to C-4 to me would confuse me because the root of this chord would always be a half-step higher than what&#039;s listed, so I&#039;d sample the chord instead with B - C - E - G...does that make sense?</p><p>I guess it all depends on how seriously you take the note values in a tracker or if you just take them for face-value of &quot;high&quot; and &quot;low.&quot; Kind of like drum tracks - you don&#039;t really &quot;hear&quot; a drum hit at just C-4 (unless it&#039;s pitched, but stfu). One note samples are obvious, but chords always interested me as to what you&#039;re really hearing when you see a note value.</p><p>- - - </p><p>And a similar, yet parallel question: Do you sample your synths with a song idea in your head or do you ever have just sessions where you just sample chords and sounds for later use?</p>]]></content>
			<author>
				<name><![CDATA[an0va]]></name>
				<uri>https://chipmusic.org/an0va</uri>
			</author>
			<updated>2014-02-23T06:42:11Z</updated>
			<id>https://chipmusic.org/forums/post/201644/#p201644</id>
		</entry>
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