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	<title type="html"><![CDATA[ChipMusic.org - my new single, my single is dropping, is dropping]]></title>
	<link rel="self" href="https://chipmusic.org:80/forums/feed/atom/topic/14634/"/>
	<updated>2014-06-26T15:05:00Z</updated>
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	<id>https://chipmusic.org/forums/topic/14634/my-new-single-my-single-is-dropping-is-dropping/</id>
		<entry>
			<title type="html"><![CDATA[Re: my new single, my single is dropping, is dropping]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/211858/#p211858"/>
			<content type="html"><![CDATA[<div class="quotebox"><cite>infodrive wrote:</cite><blockquote><p>For your snare you could try a table with some TSP modulation and/or some stereo panning. I almost always throw pans on snares. In the table: first tick is center pan, second tick is left, third tick is right, fourth tick is center, fifth tick is blank, and the sixth tick is a H05. The one thing a pan snare is bad for is a roll. They just don&#039;t sound all that great when they&#039;re 6 ticks apart.</p><p>I like a triangle WAV kick pitched at C5 with a table that has PEE(always funny to me) in the command column and a K command somewhere down the table.</p><p>Don&#039;t be afraid to try a pulse kick in PU1 if you have space for it. Again pitched at C5, but with a shape of E4 or E5. You can get a pretty smooth kick, but you can add some timbre by messing with TSP or S commands in the table. You can add grit using a VFx command, but it can get a little crunchy.</p><p>I hope I offered some sort of help. Let me know if any of that info helps &#039;cause I know it changed how my stuff sounds.</p></blockquote></div><p>Yeah, this helps out a lot! Thanks a bunch man. I&#039;m pretty stoked to write some more stuff~</p><div class="quotebox"><cite>infodrive wrote:</cite><blockquote><p>Oh shit! I didn&#039;t realize who I was talking to; what up, Nursey?<br />I know we didn&#039;t get a chance to anything more than introduce ourselves at the Mario rave, but we should hang/collab soon dude.</p></blockquote></div><p>That&#039;d be sick! I know, I&#039;m not the best person to talk to at loud events, my default tone is &quot;really quiet.&quot;</p>]]></content>
			<author>
				<name><![CDATA[Nursey]]></name>
				<uri>https://chipmusic.org/Nursey</uri>
			</author>
			<updated>2014-06-26T15:05:00Z</updated>
			<id>https://chipmusic.org/forums/post/211858/#p211858</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: my new single, my single is dropping, is dropping]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/211825/#p211825"/>
			<content type="html"><![CDATA[<p>Oh shit! I didn&#039;t realize who I was talking to; what up, Nursey? <br />I know we didn&#039;t get a chance to anything more than introduce ourselves at the Mario rave, but we should hang/collab soon dude.</p>]]></content>
			<author>
				<name><![CDATA[infodrive]]></name>
				<uri>https://chipmusic.org/infodrive</uri>
			</author>
			<updated>2014-06-26T05:15:43Z</updated>
			<id>https://chipmusic.org/forums/post/211825/#p211825</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: my new single, my single is dropping, is dropping]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/211823/#p211823"/>
			<content type="html"><![CDATA[<p>For your snare you could try a table with some TSP modulation and/or some stereo panning. I almost always throw pans on snares. In the table: first tick is center pan, second tick is left, third tick is right, fourth tick is center, fifth tick is blank, and the sixth tick is a H05. The one thing a pan snare is bad for is a roll. They just don&#039;t sound all that great when they&#039;re 6 ticks apart.</p><p>I like a triangle WAV kick pitched at C5 with a table that has PEE(always funny to me) in the command column and a K command somewhere down the table.</p><p>Don&#039;t be afraid to try a pulse kick in PU1 if you have space for it. Again pitched at C5, but with a shape of E4 or E5. You can get a pretty smooth kick, but you can add some timbre by messing with TSP or S commands in the table. You can add grit using a VFx command, but it can get a little crunchy.</p><p>I hope I offered some sort of help. Let me know if any of that info helps &#039;cause I know it changed how my stuff sounds.</p>]]></content>
			<author>
				<name><![CDATA[infodrive]]></name>
				<uri>https://chipmusic.org/infodrive</uri>
			</author>
			<updated>2014-06-26T04:50:05Z</updated>
			<id>https://chipmusic.org/forums/post/211823/#p211823</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[my new single, my single is dropping, is dropping]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/211818/#p211818"/>
			<content type="html"><![CDATA[<p>Hey friends,</p><p>I&#039;ve finished up this little do-dad today, that first song where lsdj&#039;s workflow finally clicks and everything makes sense. I dig the bassline, but my snare/kick combo sounds flat, any way I can give those more punch? or just general thoughts/comments/etc.</p><p>Thanks!</p><p><a href="https://soundcloud.com/iheartnursey/sngldrp" target="_blank">THIS IS THE LINK RIGHT HERE TO WHERE YOU CAN LISTEN TO THE SONG OKAY</a></p>]]></content>
			<author>
				<name><![CDATA[Nursey]]></name>
				<uri>https://chipmusic.org/Nursey</uri>
			</author>
			<updated>2014-06-26T04:00:13Z</updated>
			<id>https://chipmusic.org/forums/post/211818/#p211818</id>
		</entry>
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