you could slap a G01 on the first line of a table, and then go to G01 and set it to 2/2 to accomplish the same thing (and SO MUCH MORE)
sounds wicked, do you have an audio example to give an idea of what it sounds like ?
It sounds like every table arp you've ever heard that uses this technique of slowing down the arps by doubling each TSP command with the default groove:
00
00
04
04
07
07
0B
0B
0C
0C
but only takes up half the table space:
00
04
07
0B
0C
you could slap a G01 on the first line of a table, and then go to G01 and set it to 2/2 to accomplish the same thing (and SO MUCH MORE)
sounds wicked, do you have an audio example to give an idea of what it sounds like ?
]]>yeah, the speed of the C command is static (and therefore kinda useless imo) tables are where it's at.
Useless if you're not attempting to accomplish what the C command can provide, at least. And it's fun for lots of things.
I Do arps out of order depending on the note i want emphasized and what-not. Really useful for tracking destiny's child type lead+harmony stuffs.. >.>
]]>out of order
exactly that^
play with em innit
]]>Just don't go up the chord every time the same way. V
]]>No need for all that. You can use a G command in a table to call a different groove to alter the speed the table runs at. for instance, you could slap a G01 on the first line of a table, and then go to G01 and set it to 2/2 to accomplish the same thing (and SO MUCH MORE)
yeah, the speed of the C command is static (and therefore kinda useless imo) tables are where it's at.
Oh yeah! I keep forgetting that the G command isn't global. Very powerful technique to explore!
]]>tables are nice to make chords more interesting than just the C command, like you could also put
00
00
04
04
07
07
0B
0B
0C
0Cfor a slower chord arp
No need for all that. You can use a G command in a table to call a different groove to alter the speed the table runs at. for instance, you could slap a G01 on the first line of a table, and then go to G01 and set it to 2/2 to accomplish the same thing (and SO MUCH MORE)
yeah, the speed of the C command is static (and therefore kinda useless imo) tables are where it's at.
]]>I have not really explored this side of LSDJ, being focused on getting some decent bass lines and fat sounding kicks... but this does open new horizons
LSDJ is definitely a wide world to discover (with so little time to spend on it : / )
]]>thanks a ton dude!
No problem, guys!
I was thinking, maybe I'm not giving the C command enough credit.
who needs tables anyway?
]]>hi guys,
how do you manage a 4 notes chords ?
table, but how ?(RTFM ?)
Here's an example of a Major 7th table.
(i put a hop in there because it sounded nice looped at that point in context, so this actually just loops 0 - 4 - 7 - B - C )
so this table plays Hex sequence 00 - 04 - 07 - 0B - 0C - 07 - 04 - 00 ( 0C being the root note + 1 octave), or notes 1 - 3 - 5 - 7 of the major scale (a Major 7th!)
put this on a C note and it plays C E G B [C] B G E....
tables are nice to make chords more interesting than just the C command, like you could also put
00
00
04
04
07
07
0B
0B
0C
0C
for a slower chord arp, or
00
04
00
07
00
0B
00
0C
for some nice texture.
]]>