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	<title type="html"><![CDATA[ChipMusic.org - using effects pedal chain in production]]></title>
	<link rel="self" href="https://chipmusic.org:80/forums/feed/atom/topic/19203/"/>
	<updated>2016-11-20T01:25:51Z</updated>
	<generator>PunBB</generator>
	<id>https://chipmusic.org/forums/topic/19203/using-effects-pedal-chain-in-production/</id>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249376/#p249376"/>
			<content type="html"><![CDATA[<div class="quotebox"><cite>e.s.c. wrote:</cite><blockquote><div class="quotebox"><cite>herr_prof wrote:</cite><blockquote><p>the line6 m5 is a great pedal for lsdj, lots of stereo effects, and every one of them also comes with a noise gate.</p></blockquote></div><p>hadn&#039;t seen this before, looks pretty good.. out of curiosity, what&#039;s the max delay time on it?</p></blockquote></div><p>2000ms</p>]]></content>
			<author>
				<name><![CDATA[herr_prof]]></name>
				<uri>https://chipmusic.org/herr_prof</uri>
			</author>
			<updated>2016-11-20T01:25:51Z</updated>
			<id>https://chipmusic.org/forums/post/249376/#p249376</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249374/#p249374"/>
			<content type="html"><![CDATA[<p>think he just means the one that&#039;s the exact same, just no bluetooth (because honestly who needs bluetooth in a pedal).. i think syphus might have it too, i&#039;d forgotten about it but have heard only good things</p>]]></content>
			<author>
				<name><![CDATA[e.s.c.]]></name>
				<uri>https://chipmusic.org/e.s.c.</uri>
			</author>
			<updated>2016-11-19T22:57:45Z</updated>
			<id>https://chipmusic.org/forums/post/249374/#p249374</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249370/#p249370"/>
			<content type="html"><![CDATA[<div class="quotebox"><cite>BLEO wrote:</cite><blockquote><p>I have the model down from this:<br /><a href="https://www.zoom-na.com/products/guitar-bass-effects/multistomp/zoom-ms-100bt-multistomp-guitar-pedal-bluetooth" target="_blank">https://www.zoom-na.com/products/guitar &#133; -bluetooth</a></p><p>And I love it. It&#039;s not noisy at all, pretty easy to use and you can very easily line up up to 6 FX, each of which you can switch between and tweak on the fly.</p></blockquote></div><p>is it this one, because its presets seem to be made for synthesizer. <a href="https://jimatwood.wordpress.com/2013/12/31/zoom-ms-70cdr-chorus-delay-reverb-for-synths/" target="_blank">https://jimatwood.wordpress.com/2013/12 &#133; or-synths/</a></p>]]></content>
			<author>
				<name><![CDATA[Esopus-dragon]]></name>
				<uri>https://chipmusic.org/Esopus-dragon</uri>
			</author>
			<updated>2016-11-19T22:09:18Z</updated>
			<id>https://chipmusic.org/forums/post/249370/#p249370</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249364/#p249364"/>
			<content type="html"><![CDATA[<p>I have the model down from this:<br /><a href="https://www.zoom-na.com/products/guitar-bass-effects/multistomp/zoom-ms-100bt-multistomp-guitar-pedal-bluetooth" target="_blank">https://www.zoom-na.com/products/guitar &#133; -bluetooth</a></p><p>And I love it. It&#039;s not noisy at all, pretty easy to use and you can very easily line up up to 6 FX, each of which you can switch between and tweak on the fly.</p>]]></content>
			<author>
				<name><![CDATA[BLEO]]></name>
				<uri>https://chipmusic.org/BLEO</uri>
			</author>
			<updated>2016-11-19T13:47:31Z</updated>
			<id>https://chipmusic.org/forums/post/249364/#p249364</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249363/#p249363"/>
			<content type="html"><![CDATA[<p>There&#039;s no such thing as &quot;better,&quot; the effects are sound colors. It&#039;s just a matter of what you think will work for you.</p><p>EQ is good for &quot;rolling off&quot; or emphasizing frequency bands. You can use that to make a channel sound more or less noisy, clicky, thumpy, or otherwise to get sounds out of each others&#039; ways.</p><p>Compressor is for flattening the loud/soft dynamics of a signal, and can be used to either emphasize or take the bite off of clicks.</p><p>Reverb is for making a signal sound like it was made within a space before it comes out the speaker.</p><p>Overdrive/distortion/fuzz are for intentional clipping. The three words describe how extreme the clipping is, but they all mainly do it the same way, by boosting a signal and shorting part of it to ground with a diode or 2 or 6.</p><p>Delay is for repeating the signal, and can be used to make chords out of single notes, among other things.</p><p>Phase/chorus/flanger are effects that are also based on very short delay timing, with a little bit of pitch shift too.</p><p>In case you are asking what order to put the pedals in, there are no rules for that either, though I&#039;ve heard this suggested:</p><p>Gate&gt; EQ&gt; Compressor&gt; Clippers from weak to strong&gt; Modulators&gt; Delay&gt; Reverb</p><p>More stuff in the chain means weaker signal strength and more noise.</p><p>I hope that was useful.</p>]]></content>
			<author>
				<name><![CDATA[chunter]]></name>
				<uri>https://chipmusic.org/chunter</uri>
			</author>
			<updated>2016-11-19T10:57:54Z</updated>
			<id>https://chipmusic.org/forums/post/249363/#p249363</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249362/#p249362"/>
			<content type="html"><![CDATA[<div class="quotebox"><cite>herr_prof wrote:</cite><blockquote><p>the line6 m5 is a great pedal for lsdj, lots of stereo effects, and every one of them also comes with a noise gate.</p></blockquote></div><p>hadn&#039;t seen this before, looks pretty good.. out of curiosity, what&#039;s the max delay time on it?</p>]]></content>
			<author>
				<name><![CDATA[e.s.c.]]></name>
				<uri>https://chipmusic.org/e.s.c.</uri>
			</author>
			<updated>2016-11-19T08:19:53Z</updated>
			<id>https://chipmusic.org/forums/post/249362/#p249362</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249358/#p249358"/>
			<content type="html"><![CDATA[<p>the line6 m5 is a great pedal for lsdj, lots of stereo effects, and every one of them also comes with a noise gate.</p>]]></content>
			<author>
				<name><![CDATA[herr_prof]]></name>
				<uri>https://chipmusic.org/herr_prof</uri>
			</author>
			<updated>2016-11-18T19:44:58Z</updated>
			<id>https://chipmusic.org/forums/post/249358/#p249358</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249355/#p249355"/>
			<content type="html"><![CDATA[<div class="quotebox"><cite>e.s.c. wrote:</cite><blockquote><p>yeah, he&#039;s looking for best options for running a game boy through for live purposes.. i answered on facebook and told him that he&#039;d likely be best off just running in through a laptop with ableton so he could use the exact same vsts and settings used in the recordings since most compact guitar pedals aren&#039;t ideal for his purposes since most of the cheaper and smaller ones tend to add noise to the signal... if he is 100% against using a laptop, i was going to recommend instead getting a 4U rack case and getting a decent alesis compressor or an rnc1773, a dual 15 band eq and either a rackmount reverb unit or a holy grail (though obviously this kills any portability and would run maybe $600-800 total)</p></blockquote></div><p>Word, especially as most guitar pedals are mono, so you&#039;d lose all of the stereo effects.</p>]]></content>
			<author>
				<name><![CDATA[unexpectedbowtie]]></name>
				<uri>https://chipmusic.org/unexpectedbowtie</uri>
			</author>
			<updated>2016-11-18T17:26:39Z</updated>
			<id>https://chipmusic.org/forums/post/249355/#p249355</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249354/#p249354"/>
			<content type="html"><![CDATA[<p>yeah, he&#039;s looking for best options for running a game boy through for live purposes.. i answered on facebook and told him that he&#039;d likely be best off just running in through a laptop with ableton so he could use the exact same vsts and settings used in the recordings since most compact guitar pedals aren&#039;t ideal for his purposes since most of the cheaper and smaller ones tend to add noise to the signal... if he is 100% against using a laptop, i was going to recommend instead getting a 4U rack case and getting a decent alesis compressor or an rnc1773, a dual 15 band eq and either a rackmount reverb unit or a holy grail (though obviously this kills any portability and would run maybe $600-800 total)</p>]]></content>
			<author>
				<name><![CDATA[e.s.c.]]></name>
				<uri>https://chipmusic.org/e.s.c.</uri>
			</author>
			<updated>2016-11-18T17:21:48Z</updated>
			<id>https://chipmusic.org/forums/post/249354/#p249354</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249353/#p249353"/>
			<content type="html"><![CDATA[<p>I use effects pedals a lot, but I am seriously struggling to understand what you&#039;re asking, sorry <img src="https://chipmusic.org/forums/img/smilies/hmm.png" width="15" height="15" alt="hmm" /></p><p>Are you looking for suggestions for the best effects to use on particular tracks/parts? </p><p>You don&#039;t need to have any detailed hardware experience, just try to explain a bit clearer so we can help with what you want to achieve.</p>]]></content>
			<author>
				<name><![CDATA[unexpectedbowtie]]></name>
				<uri>https://chipmusic.org/unexpectedbowtie</uri>
			</author>
			<updated>2016-11-18T16:42:16Z</updated>
			<id>https://chipmusic.org/forums/post/249353/#p249353</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[using effects pedal chain in production]]></title>
			<link rel="alternate" href="https://chipmusic.org/forums/post/249348/#p249348"/>
			<content type="html"><![CDATA[<p>i&#039;ve got a number of effects pedals. i am using them as a chain in producing game boy that has sound design that i hear on a game boy produced on daw but i have no experience with the default effects of any daw. which are better eq, compressor, and reverb to get for the chain? i wrote and produced game boy on daw but the game boy was produced with techniques i can&#039;t get explained to me better so i can get effect pedals for a chain that would sound like it. i have three game boy productions for you to hear, centurywaste is one. evertontransfer and eremiticwaterfall are others. my production is in daw with a bandmate with no hardware experience so explaining this is not going to get clearer. i just want to understand the better eq, compressor, and reverb for this sound in effect pedals.</p><p><a href="https://soundcloud.com/stockfleckigkunst/centurywaste" target="_blank">https://soundcloud.com/stockfleckigkunst/centurywaste</a></p>]]></content>
			<author>
				<name><![CDATA[Esopus-dragon]]></name>
				<uri>https://chipmusic.org/Esopus-dragon</uri>
			</author>
			<updated>2016-11-18T13:45:11Z</updated>
			<id>https://chipmusic.org/forums/post/249348/#p249348</id>
		</entry>
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