<![CDATA[ChipMusic.org - How to make complex music on DS10]]> 2010-08-20T07:46:35Z PunBB https://chipmusic.org/forums/topic/2169/how-to-make-complex-music-on-ds10/ <![CDATA[Re: How to make complex music on DS10]]> There's something for everyone. I don't like DS-10 music. I don't like the Beatles. I'm sick of the Amen break.

Does that make me an elitist?

]]> https://chipmusic.org/PlainFlavored 2010-08-20T07:46:35Z https://chipmusic.org/forums/post/35744/#p35744 <![CDATA[Re: How to make complex music on DS10]]> . it's about limitations of being a bass cellist and having to lug around an instrument that's bigger than you are on plane so you can play a 45 min show in bumfuck egypt too. it's about setting up and breaking down a drum set and having back problems cos of it. one can choose to be a minimalist at anytime and only use only 1 track or only a piano. this scene's 'limitations' are no more noble than any of those

]]> https://chipmusic.org/Receptors 2010-08-20T05:46:29Z https://chipmusic.org/forums/post/35739/#p35739 <![CDATA[Re: How to make complex music on DS10]]> tacticalbread wrote:

Is there no chip-based forum that is free of shit?

Trolls galore at 8bc, and elitist assholes here.

As far as I'm concerned, they're equally shitty.

Something to do with grown men playing with toys, I think.

Decktonic, your post was fine, as was its title. Keep participating and don't let any know-it-all put you off!

]]> https://chipmusic.org/InactiveX 2010-08-20T05:44:51Z https://chipmusic.org/forums/post/35738/#p35738 <![CDATA[Re: How to make complex music on DS10]]> i thought it was about the limitations with the drums ASDR envelopes in the DS10.

always drove me nuts when i was trying to do droney stuff with it

]]> https://chipmusic.org/infradead 2010-08-20T05:44:48Z https://chipmusic.org/forums/post/35737/#p35737 <![CDATA[Re: How to make complex music on DS10]]> I think it's about the sound limitations and amount of channels/instruments that you have to work with, and not so much the software itself.

]]> https://chipmusic.org/Reteris 2010-08-20T05:34:28Z https://chipmusic.org/forums/post/35736/#p35736 <![CDATA[Re: How to make complex music on DS10]]> agree. but it's hypocritical to be part of a scene that's all about limitations and then rag on the ds10 because of it's limitations. I keep hearing ' yeh i got a ds10 but i can't do this and that blah'. in that case you failed at using the ds10. it's time we realized that every instrument has it's limitations. i hate changing guitar strings. there really is nothing special about limitations. sadly it's become the chipscene's go to  gimmick after all. being able to program a whole song in 5 mins on an lsdj is the opposite of a limitation. as we all know once you know how to program on a tracker it's the easiest fuckin thing in the world. childsplay indeed

]]> https://chipmusic.org/Receptors 2010-08-20T05:31:05Z https://chipmusic.org/forums/post/35734/#p35734 <![CDATA[Re: How to make complex music on DS10]]> Receptors wrote:

I've always sensed a definite animosity towards the ds-10 in the chipscene

I think you have people who care more about the end product, and you have people who care more about the limitations and the way you got around to making the end product. Honestly, who gives a fuck? It's all just music. hmm

]]> https://chipmusic.org/Reteris 2010-08-20T05:15:12Z https://chipmusic.org/forums/post/35729/#p35729 <![CDATA[Re: How to make complex music on DS10]]> thanks Decktonic, whenever you post anything with a positive attitude, it is not a waste of time.
The waste of time is people who scour the posts for situations they can make  make negative comments about, thus making themselves feel superior.That's my take anyway. Some of the inhibiting weeds planted over at 8bc appear to have scattered their seeds over here already. Some of these individuals should just become admins if they want so bad to police  the threads. I've always sensed a definite animosity towards the ds-10 in the chipscene anyway, so one should expect this. I've pretty much grown quite bored with it and I pretty much say fuck it.
Just make music and forget about trying to be part of what used to be a tight respectful scene and is  becoming no more than a sheeplike compost of the same ideas and sounds. Apart from the small handful of artists who are trying to innovate it's pretty much become what I hated about the rocknroll loser world.

]]> https://chipmusic.org/Receptors 2010-08-20T04:45:27Z https://chipmusic.org/forums/post/35726/#p35726 <![CDATA[Re: How to make complex music on DS10]]> Sweet vid, Deck. Thanks for posting this. However, It would be more helpful if we are shown the patch bay and what the automation is doing. None-the-less, helpful and a cool track. smile

]]> https://chipmusic.org/L-tron 2010-08-20T03:57:20Z https://chipmusic.org/forums/post/35704/#p35704 <![CDATA[Re: How to make complex music on DS10]]> Fulgurites (from the Latin fulgur meaning thunderbolt) are natural hollow glass tubes formed in quartzose sand, or silica, or soil by lightning strikes. They are formed when lightning with a temperature of at least 1,800 °C (3,270 °F) instantaneously melts silica on a conductive surface and fuses grains together; the fulgurite tube is the cooled product. This process occurs over a period of around one second, and leaves evidence of the lightning path and its dispersion over the surface. Fulgurites can also be produced when a high voltage electrical distribution network breaks and the lines fall onto a conductive surface with sand beneath. They are sometimes referred to as petrified lightning. The glass formed is called lechatelierite which may also be formed by meteorite impact and volcanic explosions. Because it is amorphous, fulgurite is classified as a mineraloid. Fulgurites can have deep penetrations, sometimes occurring as far as 15 metres (49 ft) below the surface that was struck.
The tubes can be up to several centimeters in diameter, and meters long. The longest fulgurite found is approximately 4.9 to 5 metres (16.1 to 16.4 ft) in length, and was found in northern Florida, USA. Their color varies depending on the composition of the sand they formed in, ranging from black or tan to green or a translucent white. The interior is normally very smooth or lined with fine bubbles; the exterior is generally coated with rough sand particles and is porous. They are rootlike in appearance and often show branching or small holes. Fulgurites occasionally form as glazing on solid rocks (sometimes referred to as an exogenic fulgurite).

]]> https://chipmusic.org/Andrew+Winzenburg 2010-08-20T03:24:09Z https://chipmusic.org/forums/post/35698/#p35698 <![CDATA[Re: How to make complex music on DS10]]> BE COOL, MY BABIES!

]]> https://chipmusic.org/minusbaby 2010-08-20T02:46:09Z https://chipmusic.org/forums/post/35691/#p35691 <![CDATA[Re: How to make complex music on DS10]]> I'm still just waiting for video evidence of this circle jerk.

]]> https://chipmusic.org/hotmessization 2010-08-20T02:43:27Z https://chipmusic.org/forums/post/35690/#p35690 <![CDATA[Re: How to make complex music on DS10]]> akira^8GB wrote:
Decktonic wrote:

Uh, I guess I overestimated you guys.

You mean underestimated.

I think you mean misunderestimated.

]]> https://chipmusic.org/Jophish 2010-08-20T02:30:43Z https://chipmusic.org/forums/post/35687/#p35687 <![CDATA[Re: How to make complex music on DS10]]> Is there no chip-based forum that is free of shit?

Trolls galore at 8bc, and elitist assholes here.

As far as I'm concerned, they're equally shitty.

]]> https://chipmusic.org/tacticalbread 2010-08-20T02:01:21Z https://chipmusic.org/forums/post/35680/#p35680 <![CDATA[Re: How to make complex music on DS10]]> Deck, seems that people need to understand more ds-10 workings. If you have something to share, please post it!

We always can learn something new from anybody. or think things that we can't achieve from ourselves alone.

]]> https://chipmusic.org/Analog 2010-08-20T01:48:11Z https://chipmusic.org/forums/post/35675/#p35675