RG wrote:Damn son! Thanks Akira!
Uhm, I didn't get the irony... xD
I don't think there was any irony.
]]>You could also have dirty bass mixing thoses (specially with SAW wave)
SIN, (SIN+SAW), TRIANGLE, (TRIANGLE+SAW+SQUARE), (TRIANGLE+SAW)
I mostly experiment with NES music, here are some of my "bassie tracks"
http://iloveui.bandcamp.com/track/fua (2a03+DPCM+FDS)
http://iloveui.bandcamp.com/track/redflag (2a03+DPCM+FDS)
http://iloveui.bandcamp.com/album/killer-beats (2a03+DPCM)
]]>I forget NBC probably didn't have these Public Service Announcements worldwide. From the wiki:
"The More You Know is a series of Emmy Award-winning public service announcements (PSAs) broadcast on the NBCUniversal family of channels in the United States and other locations. The spots feature personalities from various NBC shows. Tom Brokaw was the first person to do a The More You Know spot; it aired on NBC in January 1989 (these replaced the One to Grow On PSAs that were used from 1983 to 1989). The first 'comet trail' star logo was created by Paul Johnson on an animation stand using a slit scan technique at R/Greenberg Associates (now R/GA Digital Studios) in Manhattan. They were later updated using 3D CG. These PSAs are broadcast regularly during NBC's programming in primetime, late night, and Saturday morning."
Here's an example:
In short, I didn't know about the differences in triangle waveform generation. I researched it a bit after reading your post. I now feel a bit smarter than I did this time last week.
]]>RG wrote:Damn son! Thanks Akira!
Uhm, I didn't get the irony... xD
I don't think there was any irony.
]]>akira^8GB wrote:Well, no, it depends, since there are different methods to produce it, and then you pass it by an 8-bit DAC... in this case I have to say, it's detrimental to the case of the Amiga: it ends up sounding like shit if it exceeds one or two cycles.
But when you do cycle ones you are limited by the frequency response... It's a tough one every time I try to get decent bass on my Amiga.
Damn son! Thanks Akira!
Uhm, I didn't get the irony... xD
]]>Just died. Hahahaha.
]]>
]]>RG wrote:I was thinking AHX or Musicline. A triangle wave is a triangle wave regardless of the machine it's produced on, right?
Well, no, it depends, since there are different methods to produce it, and then you pass it by an 8-bit DAC... in this case I have to say, it's detrimental to the case of the Amiga: it ends up sounding like shit if it exceeds one or two cycles.
But when you do cycle ones you are limited by the frequency response... It's a tough one every time I try to get decent bass on my Amiga.
Damn son! Thanks Akira!
Sidbass sounds cool but it isnt SUPER BASSY to me. FM Sub Sine for wins always.
yeah, you can get some nice growly bass sounds, but it doesn't have a ton of low-end
personally, i think you can get some really nice low end out of the game boy's WAV channel
]]>and if you can't have either, wav channel does good stuff too
]]>Hm, OPL can pump out a mean bass. FM is kinda neat that way, because you get those rich harmonics on your waveform. Filtered SID can make some cool square basses (again because of modulation, in this case PWM).
Hell yeah, just fyi, all moon tone basslines are fm
]]>I was thinking AHX or Musicline. A triangle wave is a triangle wave regardless of the machine it's produced on, right?
Well, no, it depends, since there are different methods to produce it, and then you pass it by an 8-bit DAC... in this case I have to say, it's detrimental to the case of the Amiga: it ends up sounding like shit if it exceeds one or two cycles.
But when you do cycle ones you are limited by the frequency response... It's a tough one every time I try to get decent bass on my Amiga.
]]>C64 has the meanest bass. I know, it's not a console, but...
Your choice is totally valid, I did say computer or console. 