]]>embrace the GRIME and the FILTH.
listen to your own music on acid, understand that the clicks and pops add an extra layer of depth to your music.
She kind of reminds me of Veruca from the old Willy Wonka movie...
]]>listen to your own music on acid, understand that the clicks and pops add an extra layer of depth to your music.
this whole post is pure awesome
]]>Some people may call this heresy, but have you tried exporting the sound from BGB? If you're going to great lengths in post to get a clean sound, you may as well try BGB. The difference in sound will probably be negligible (re: your clients will likely not realize you used an emulator), and while BGB's sound is pretty darn accurate, it is less poppy-clicky and you'll have a cleaner product.
oh, it's certainly a possibility, but like I said I would kind of like to avoid it if I can. more for workflow issues than any sense of "handheld loyalty" haha.
]]>yeah, or R commands, or switching between waveforms in the PW channels, or H commands or tempo related things with G commands haha. it's a long list of things to avoid XD
for my own music I don't mind the pops at all, just part of the aesthetic. but I feel weird turning in noisy recordings to clients.
Really? have you tried different DMGs? I've never noticed pops related H or G commands, and barely any glaring pops related to duty cycle changes on the pulse channel, and I usually track with things at pretty low volumes. I have DMGs that deffinitely make more noises than other DMGs.
Some people may call this heresy, but have you tried exporting the sound from BGB? If you're going to great lengths in post to get a clean sound, you may as well try BGB. The difference in sound will probably be negligible (re: your clients will likely not realize you used an emulator), and while BGB's sound is pretty darn accurate, it is less poppy-clicky and you'll have a cleaner product.
Auxcide wrote:In answer to your op question regarding SPs i've noticed little to no clicks or pops as a result of E commands. Especially compared to my DMGs. But one of my SPs does make a little noise, so you have to find the right kind. This is hard because it's not a difference in their serial. They're both AGS-100s but my red one just makes little pops even when you press buttons. My light gray one doesn't.
that's really good to know. I have some sp shopping in my future then... to ebay!
My SP is SUPER noisy. It might be my cheap third-party headphone adapter, but beware. The hiss is strong with it.
]]>On pulse channels, I avoid using many E commands with sudden changes (say, 18 to 38), as they seem to cause a lot of pops. K commands will too, not as noticeable but if you have K commands on both pulse chans simultaneously. Other than E commands and stacked Ks, O commands are the obvious enemy.
yeah, or R commands, or switching between waveforms in the PW channels, or H commands or tempo related things with G commands haha. it's a long list of things to avoid XD
for my own music I don't mind the pops at all, just part of the aesthetic. but I feel weird turning in noisy recordings to clients.
In answer to your op question regarding SPs i've noticed little to no clicks or pops as a result of E commands. Especially compared to my DMGs. But one of my SPs does make a little noise, so you have to find the right kind. This is hard because it's not a difference in their serial. They're both AGS-100s but my red one just makes little pops even when you press buttons. My light gray one doesn't.
that's really good to know. I have some sp shopping in my future then... to ebay!
]]>i almost wanna write "horse 2"
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