https://youtu.be/JszdbBpPyAQ

VRUMZSSSR - MULINE (8-bit, Chiptune)
2015/21:29/BL_49

LSDJ релиз музыкально связанных хитросплетений из видео игровой приставки для стримингов - https://onerpm.link/178958250771

Благодарности Маките за прекрасную творческую Юность и буквы, что камнем легли на дно

Hi all! We made chiptune online radio.
With periodic direct inclusions. We will be glad to have your tracks on the air. Send your melodies to the mail - bleeploveofficial@gmail.com

https://zeno.fm/radio/bleeplove/

Yo.
I remember this song from almost 7 years ago but I can't remember song name. Please post this. I need help. Here you go. https://youtu.be/8QKbX1Py65w

TL;DR version is basically describe the recording setup you use for capturing your tracks off your DMG. For those who cbf, here is my story below...

Hey all, I'm a bit of a noob. Ive written a bunch of tracks on my DMG and Im ready to record.
When listening to my tracks through my audio interface it seems like half  of the track is muted or clicking, some parts have the completely wrong envelope, some are half volume, all sorts of random things that sound nothing like what I had written when you listen through other means. I have tried several gameboys, some were prosound modded and some were not. Through all of them, I do not get an accurate representation of what I wrote when plugged into the audio interface directly. 
It is only a recent issue, as up until I planned to record these tracks I was listening to them live through a roland busking amplifier with a line in. Now interestingly, when I plug the gameboy into the busking amp, then use the line out of the busking amp into the audio interface none of the problems arrive and I can actually hear my track.
So what is going on here? What black magic is occurring by buffering through the busking amp first?
One would assume it is normalizing the level or strength of the signal in some way. How can I get this result without buffering through the busking amp?
Would a normal 4 channel mixer get the job done?

Any help figuring this one out would be greatly appreciated.

I really love chiptune music and i have a good musical theory knowlage, but i really don´t understand nothing about waveforms, AM, FM, PSG, PCM, modulators, oscilators and this stuff

I have a experience with DAWs but i really like use Trackers to make chiptune music and sometimes Trackers requisites this knowledges from me and i dont´t even know where i find things of this subject matter to learn about this

My questions is, what i need to study to understand about this subject matter ? where i found material about this stuff ? this is sound engineering ?

https://imgur.com/a/CJJj8Dk (images to see a little bit of what i´m talking about)

Sorry my poor english

hi! had a question about layering LSDJ tracks with other instruments, more specifically with kicks and snares. how would you do it? would you just layer it over the existing kick and snare in the WAV and noise channels, or would you take out the original kick and snare and place more traditional ones in place? also, how would you go about mastering a track produced in LSDJ? i know stereo imaging is a must if you want a wider sound, but in terms of EQ'ing, i'm clueless.

can I use radioshack 4 channel mixer for my gameboys, to plug into the venues PA? Thank you

Hello guys.I know websites that music producers can use to score free  samples and loops
for their music. The secret is knowing where to look. So, I’ve made the process even easier by
compiling a list of websites that offer free samples and loops that you can use.
Many of these sites vary from major sound databases like Freesound.org to small blog
sites dedicated to a particular niche.
It’s important when you’re using sound asset sites to check the license agreement. Each website’s
policy and usage guidelines may vary. So, be sure to check for commercial use and whether giving
attribution is required or not.
http://99sounds.org/free-sound-effects/
https://www.lucidsamples.com/free-sampl … -pack.html
http://soundbible.com/royalty-free-sounds-1.html
https://freesound.org/
http://free-sample-packs.com/
https://bassgorilla.com/free-sample-packs/
https://hiphopmakers.com/free-sample-pa … ic-samples
http://free-sample-packs.com/

say i have a weird hardstyle 808 i made
if in the chain i put a bitcrusher on it or if i layer the sunsoft bass under it
can i cheat and have the track labeled post-chiptune?

169% serious question g

Hey guys, my name is Eddie. I make music as Johnny La Rock (johnnylarock.com). It's a mix of electronic, chiptune, etc. Mostly downtempo jams. Anyways, I also work at a mastering studio called Cauliflower Audio in Cleveland, Ohio. If any of you need mastering for your tracks, hit us up. The website is www.caulifloweraudio.com if you want to check out rates, samples, or a list of who we have worked with.
Thanks!

I´ve started a new series. And – again – it´s about modular synthesis. I thought SoloStuff´s modular softsynth “SoloRack” worth a whole series of tutorials – and concipated one. Here is the first part: Installation and Overview
https://youtu.be/mnQk2uvMW08

It´s a public part. Enjoy it! Rolf

Timeline
00:00     Introduction
01:15     Download and Installation
02:42     Four Versions of SoloRack
03:15     Loading a Module
03:45     Placing, Replacing and Deleting a Module
04:31     Module Information
04:51     “Always on” and CPU
07:12     Groups of Modules
14:50     Load and Save
15:48     My first Real Patch
24:38     Some Words at the End
Enjoy it!
Have a good time!
Rolf

So far I've been relying on a pair of Logitech desktop speakers, but now I'd like to get into mixing/mastering. Would it be best if I invest in a good pair of headphones (I think someone recommended Sennheiser HD25 in another thread) or studio monitor speakers?

Are there any specific brands anyone can attest to? Thanks all!

The series is growing and growing: Part 11 of my series of Tutorials about the modules of Softube´s Modular is available now.
https://youtu.be/xVyj9nv4DNs

It´s all about Intellijel´s multifilter “Korgasmatron II”. 2 hours of explanations, examples, experiments and patches (well, only 1 hour 59 minutes and 32 seconds, to be precise). And like always: instead of a lot of  words, here is the
Timeline:
0:00:00     Introduction
0:00:35     The Family Tree of Korgasmatron II
0:01:40     The Overall Architecture and the GUI
0:02:16     Internal Signal Paths (A and B), Part 1
        (incl. Seriell Mode and Parallel Mode)
0:08:44     XFADE
0:12:56     Seriell Mode
0:16:15     XFADE Modulations
0:21:35     Cutoff Modulations
0:24:20     Internal Signal Paths (A and B), Part 2
                  (incl. FM2)
0:29:25     1V/OCT and Tuned Self-Resonance
0:34:03     Internal Signal Paths, Part 3
0:36:35     Audio-In, Gain and Clipping
0:43:07     The 2 Lowpass Filters
0:48:00     Q and Q-drive
0:53:10     Distortion and Self-Resonance
0:54:10     Miss Marple and the Case of the Mysterious Partials
1:03:33     The Bandpass Filter
1:17:04     The Highpass Filter
1:22:13     The Bandreject Filter
1:32:15     PATCHING! PATCHING! PATCHING!
1:32:30          Patch 1: “Zizzle-Grizzle”
1:40:27          Patch 2: Surfing the Ocean Waves of Partials
1:47:05          Patch 3: A Kind of Canon
1:52:10          Patch 4: A Selfmade Drum Machine
1:55:45     Some Words at the End
1:59:30     The End

I've gotten several comments about the quality of my music in the past year, but I didn't really notice anything wrong, per se. All my speakers and headphones are pretty shit, so that might factor in, but I cannot for the life of me figure out where these comments are coming from.

All I do is plug an aux cable into my prosounded DMG and play it through Audacity, making sure not to horribly clip the audio. That's how I've done it since I got LSDJ years ago. Am I missing something? How do you guys record your music? Do you do any post production to make your music really pop, or do you keep it totally authentic?

Hello my friends!
The first of 100 (one hundred) parts about the entire realm of music, computers and sound is online now. Everything You Always Wanted to Know About Sound But Were Afraid to Ask.
Grandpa Soundstone Video 1, Raspberry Pi Part 1:

https://youtu.be/ypvSwTIVgVE

Let me tell you, what grandpa Soundstone has to say about this project:

“Hello,
I´m grandpa Soundstone and I´ve decided to learn something new. I´ve decided to learn coding sound, building MIDI controllers, building sequencers and even synthesizers and samplers, programming microchips and a lot more.

I want to know what´s going on under the hood of my VSTs, my DAWs, my hardware synths, my controllers and my computers. I want to understand this and I want to influence and master it yself, want to build, to change and to optimise the goings on, which make my speakers vibrate.

I´ve decided to learn everything about computers, that´s relevant for making music and sound and building equipment.

And – my friends – this is no show, no fake learning! I´ll really be learning myself in this series.
I will learn, I will let you watch me learning and getting experiences and I hope – and think – you will learn as well. I may coincidentially come across something I already know, know well enough to explain it to you. But mainly it´s going to be a “learn it yourself by doing it yourself”.

So – this series is going to be an adventure, a journey through hardware and software and sound and music and music production equipment and instruments and computer languages and physics of sound and and and...

It´s going to be a “learn it yourself by doing it yourself”. I´ve ordered a Raspberry Pi to start with.
I don´t now anything about it. I ordered it following the advice of a friend of mine.

And here it is.
It has just arrived.

Let me have a look, what I´ve got here.”

So far the words of grandpa Soundstone. For me there´s only one thing left to say:
Enjoy the journey! (And don´t forget to tell everybody about it.)
Rolf