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		<title><![CDATA[ChipMusic.org - Anthropology of Sound]]></title>
		<link>https://chipmusic.org/forums/topic/17273/anthropology-of-sound/</link>
		<description><![CDATA[The most recent posts in Anthropology of Sound.]]></description>
		<lastBuildDate>Sat, 07 Nov 2015 02:26:56 +0000</lastBuildDate>
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			<title><![CDATA[Re: Anthropology of Sound]]></title>
			<link>https://chipmusic.org/forums/post/236163/#p236163</link>
			<description><![CDATA[<b><i>Feryl says:</i></b><p>[removed]</p>]]></description>
			<pubDate>Sat, 07 Nov 2015 02:26:56 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/236163/#p236163</guid>
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			<title><![CDATA[Re: Anthropology of Sound]]></title>
			<link>https://chipmusic.org/forums/post/236114/#p236114</link>
			<description><![CDATA[<b><i>chunter says:</i></b><div class="quotebox"><cite>kuromizu wrote:</cite><blockquote><p>1)&nbsp; &nbsp; How would you define yourself? (Are you an enthusiast, casual listener, musician, artist, programmer etc.)</p></blockquote></div><p>Musician</p><div class="quotebox"><cite>kuromizu wrote:</cite><blockquote><p>2)&nbsp; &nbsp; How would you describe chip sounds in terms of their sonic qualities? (What does chip sound like. So for example, we might describe a trumpet sound as bright or a flute as airy.)</p></blockquote></div><p>A chip sounds like a chip.</p><p>It was a peeve of mine that synthesizers started off on a quest to replicate realistic instruments, because to me, a synthesizer should deliberately sound like nothing else. Now that there is some separation from that history, I think we&#039;ve finally reached a point where people can say that a synthesizer sounds like a synthesizer, and not be concerned about it sounding like brass or violin or organ or piano. A sound chip is a synthesizer with different capabilities and intentions.</p><div class="quotebox"><cite>kuromizu wrote:</cite><blockquote><p>3)&nbsp; &nbsp; Why do you listen to or create chip music? (This one is completely open-ended. Do you just like the music? Do you like experimenting with retro technology? You could give me your whole life story as it relates to chip music if you’d like. ^_^ )</p></blockquote></div><p>It was an accident with a lot of gravity. I started messing with PC trackers (FT2, then IT) after its scene was considered gone, as a way to indulge myself after I had quit my previous musical ambitions. I was in the channel when members of #mod_shrine decided to test mukunda&#039;s s3m2nsf by entering Famicompo Mini Classical.</p><p>Before that, I had listened to tree wave, early nullsleep, and others.</p><div class="quotebox"><cite>kuromizu wrote:</cite><blockquote><p>4)&nbsp; &nbsp; What would your argument be against someone who said chip music was just noise? (Or maybe you agree it&#039;s noise! In which case, how do you define noise? Tell me why you find that appealing, and how you would argue for the importance of noise.)</p></blockquote></div><p>I&#039;m no longer interested in convincing people that they need to like something.</p>]]></description>
			<pubDate>Thu, 05 Nov 2015 04:56:54 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/236114/#p236114</guid>
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			<title><![CDATA[Re: Anthropology of Sound]]></title>
			<link>https://chipmusic.org/forums/post/236082/#p236082</link>
			<description><![CDATA[<b><i>Feryl says:</i></b><p>[removed]</p>]]></description>
			<pubDate>Wed, 04 Nov 2015 01:48:38 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/236082/#p236082</guid>
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			<title><![CDATA[Anthropology of Sound]]></title>
			<link>https://chipmusic.org/forums/post/236065/#p236065</link>
			<description><![CDATA[<b><i>kuromizu says:</i></b><p>Hi folks! I&#039;m new here. Hopefully that title grabbed some attention. I&#039;ve been listening to chip music on and off for a few years now but I&#039;ve never been too plugged in to the community. I&#039;m actually a graduate student in anthropology and I&#039;m writing a short paper on chip music for my anthropology of sound class (yes, that is a thing that exists, and yes, it is awesome). </p><p>I was hoping to ask a few questions of you guys. I wouldn&#039;t be doing my due diligence as an anthropologist if I didn&#039;t give you guys some general informed consent, so know that while I have no intention of publishing this paper, it might be something I present at a conference in the future. If you&#039;d like to stay confidential, just let me know. And don&#039;t feel obligated to answer every question.</p><p>1)&nbsp; &nbsp; How would you define yourself? (Are you an enthusiast, casual listener, musician, artist, programmer etc.)</p><p>2)&nbsp; &nbsp; How would you describe chip sounds in terms of their sonic qualities? (What does chip sound like. So for example, we might describe a trumpet sound as bright or a flute as airy.)</p><p>3)&nbsp; &nbsp; Why do you listen to or create chip music? (This one is completely open-ended. Do you just like the music? Do you like experimenting with retro technology? You could give me your whole life story as it relates to chip music if you’d like. ^_^ )</p><p>4)&nbsp; &nbsp; What would your argument be against someone who said chip music was just noise? (Or maybe you agree it&#039;s noise! In which case, how do you define noise? Tell me why you find that appealing, and how you would argue for the importance of noise.)</p><p>Thanks in advance. I hope this results in some interesting conversation.</p>]]></description>
			<pubDate>Tue, 03 Nov 2015 19:10:07 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/236065/#p236065</guid>
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