I want to use SAD Tracker. Emo FM

That could be useful to make string sections, choirs or anything else that relies on unison for its characteristics. Although I think just 3x 2op would be enough for chiptune purposes (and the same results have already been achieved at the expense of more channels).

Ah!  Thanks!

i mean  "SURPRISE! ADLIB TRACKER 2" which is know as SADTRACKER or SADT and creates .SA2 Modules

God DAMN IT.

"sadtracker 2"?  Do you myean MadTracker 2 or Pause Records?

well it is not a hardware feature but software so i am sure it is not exactly the same thing. sadtracker 2 has a wavetable too which works differently (and BETTER) than adtrack2 macro i think.... but it's good to learn to use these tables things because they help a lot with percussion and also to make other sounds!

Just watched part 1 and moving on to part 2. After finishing a track using a similar tracker (DefleMask) this all makes much more sense now. What a great Thursday afternoon.

Ooooo me! PM me!!!

Well there is always 8x2OP:

I find there's usually not much practical reason to use more than 4 operators hooked together. If it's 6-op it's at most 4 operators with 1 carrier, then the remaining 2 as a simple modulator+carrier for an extra layer of sound. This seems to be the case with all the DX7 sounds I've browsed through.

Yeah man forget what I said, all I have is 4op too, so that should do it.
Thanks

Thanks Lazerbeat

The flow charts absolutely, They aren't THAT hard. 6op it totally possible but I don't have a 6op synth, all mine are 4op, Something for the future....

- edit - Cascating operators confuse me, very very hard to predict. Also yamaha having arbitrary numbering policies for operators depending on the day of the week is confusing.

There is the one thing that puzzles me the most about FM and I'd like to learn: those bloody flowcharts of how the synthesis patch is wired up. Can you cover that? With the more operators the better, as 4op is rather simple.