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		<title><![CDATA[ChipMusic.org - The DX11 is a hugely underrated synth and here is why.]]></title>
		<link>https://chipmusic.org/forums/topic/7419/the-dx11-is-a-hugely-underrated-synth-and-here-is-why/</link>
		<description><![CDATA[The most recent posts in The DX11 is a hugely underrated synth and here is why..]]></description>
		<lastBuildDate>Thu, 30 May 2019 21:03:47 +0000</lastBuildDate>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/262075/#p262075</link>
			<description><![CDATA[<b><i>martin_demsky says:</i></b><p>nothing what developed human is underrated, it is upon to you and your creativity what you do with that <img src="https://chipmusic.org/forums/img/smilies/smile.png" width="15" height="15" alt="smile" /></p>]]></description>
			<pubDate>Thu, 30 May 2019 21:03:47 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/262075/#p262075</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111832/#p111832</link>
			<description><![CDATA[<b><i>boomlinde says:</i></b><p>It&#039;s obviously not a filter sweep, but the effect it has on the harmonic content is similar in that decreasing the modulation index eventually leaves you with only the base tone, and increasing it gradually introduces more higher frequency partials, not unlike closing and opening a low-pass filter respectively. I&#039;m not sure what you mean by only having one overtone at your disposal.</p>]]></description>
			<pubDate>Mon, 11 Jun 2012 14:13:19 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111832/#p111832</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111828/#p111828</link>
			<description><![CDATA[<b><i>herr_prof says:</i></b><p>Thats why he used the words &quot;SWEEPY&quot;. Perhaps &quot;SWEEPISH&quot; would have been better,</p>]]></description>
			<pubDate>Mon, 11 Jun 2012 13:54:58 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111828/#p111828</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111822/#p111822</link>
			<description><![CDATA[<b><i>nitro2k01 says:</i></b><div class="quotebox"><cite>boomlinde wrote:</cite><blockquote><p>You can get pretty filter-sweepy sounds out of any 2-op synth with feedback modulation, or at least a patch that goes from no harmonics to a lot over the TL range. Here&#039;s a sample of my own 2-op FM 303 emulator thing: <a href="http://soundcloud.com/boomlinde/r-odent-dx303" target="_blank">http://soundcloud.com/boomlinde/r-odent-dx303</a>. I guess that with some imagination, those sweeps could as well have been filters.</p></blockquote></div><p>That&#039;s nice and all, but it&#039;s not a filter sweep. You only have one overtone at your disposal at a time, which you can change the amount of influence of.</p>]]></description>
			<pubDate>Mon, 11 Jun 2012 13:11:00 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111822/#p111822</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111803/#p111803</link>
			<description><![CDATA[<b><i>boomlinde says:</i></b><p>You can get pretty filter-sweepy sounds out of any 2-op synth with feedback modulation, or at least a patch that goes from no harmonics to a lot over the TL range. Here&#039;s a sample of my own 2-op FM 303 emulator thing: <a href="http://soundcloud.com/boomlinde/r-odent-dx303" target="_blank">http://soundcloud.com/boomlinde/r-odent-dx303</a>. I guess that with some imagination, those sweeps could as well have been filters.</p>]]></description>
			<pubDate>Mon, 11 Jun 2012 09:14:00 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111803/#p111803</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111695/#p111695</link>
			<description><![CDATA[<b><i>Lazerbeat says:</i></b><p>Not sure you can get the fizz with only sine waves. The modwheel trick should work though</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 16:28:07 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111695/#p111695</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111683/#p111683</link>
			<description><![CDATA[<b><i>geckoyamori says:</i></b><div class="quotebox"><cite>Lazerbeat wrote:</cite><blockquote><div class="quotebox"><cite>geckoyamori wrote:</cite><blockquote><p> How does the &quot;fake filter&quot; work? Usually I don&#039;t bother with filters for FM, but FM8 has a separate filter operator which I can actually use to modulate before the output signal, which is really cool and gives me even more options for altering the timbre.</p></blockquote></div><p>Basically make a nice filtery patch with op4 doing lots of feedback then assign the modulation wheel (with a square wave lfo) to control the amplitude modulation sensitivity to op4. you can then use the mod wheel to turn op4 up and down which &quot;opens&quot; or &quot;closes&quot; the filter.</p></blockquote></div><p>Can&#039;t you do that with any DX/TX synth?</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 15:14:21 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111683/#p111683</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111681/#p111681</link>
			<description><![CDATA[<b><i>Lazerbeat says:</i></b><div class="quotebox"><cite>geckoyamori wrote:</cite><blockquote><p> How does the &quot;fake filter&quot; work? Usually I don&#039;t bother with filters for FM, but FM8 has a separate filter operator which I can actually use to modulate before the output signal, which is really cool and gives me even more options for altering the timbre.</p></blockquote></div><p>Basically make a nice filtery patch with op4 doing lots of feedback then assign the modulation wheel (with a square wave lfo) to control the amplitude modulation sensitivity to op4. you can then use the mod wheel to turn op4 up and down which &quot;opens&quot; or &quot;closes&quot; the filter.</p><div class="quotebox"><cite>calmdownkidder wrote:</cite><blockquote><p>Do you know how easy it is to fix? There&#039;s one on eBay (advertised as spares/repairs), that&#039;s in driving distance, if I could get it for a silly low price, dunno if it&#039;d be worth a punt :\</p></blockquote></div><p>Depends what is wrong with it, if it is the battery or reseating a couple of keys should be pretty easy, I have done both and I am a hopeless 10thumbed goon at electronics,</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 14:55:59 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111681/#p111681</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111679/#p111679</link>
			<description><![CDATA[<b><i>geckoyamori says:</i></b><p>That&#039;s cool, I didn&#039;t think any of the old Yamaha synths had a pitch envelope. FM8 has it which is a huge boon for programming drums and sound effects. How does the &quot;fake filter&quot; work? Usually I don&#039;t bother with filters for FM, but FM8 has a separate filter operator which I can actually use to modulate before the output signal, which is really cool and gives me even more options for altering the timbre.</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 14:50:23 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111679/#p111679</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111678/#p111678</link>
			<description><![CDATA[<b><i>calmdownkidder says:</i></b><p>Do you know how easy it is to fix? There&#039;s one on eBay (advertised as spares/repairs), that&#039;s in driving distance, if I could get it for a silly low price, dunno if it&#039;d be worth a punt :\</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 14:47:33 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111678/#p111678</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111675/#p111675</link>
			<description><![CDATA[<b><i>Lazerbeat says:</i></b><p>Oh, one more good point. The bass is absolutely terrifying.</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 14:21:34 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111675/#p111675</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111664/#p111664</link>
			<description><![CDATA[<b><i>Victory Road says:</i></b><p>yeah it looks gooood! seems like it&#039;s harder to get a hold of one than a dx-7 though, at least in australia</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 13:29:35 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111664/#p111664</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111658/#p111658</link>
			<description><![CDATA[<b><i>ant1 says:</i></b><p>i hate my tx81z <img src="https://chipmusic.org/forums/img/smilies/sad.png" width="15" height="15" alt="sad" /></p>]]></description>
			<pubDate>Sun, 10 Jun 2012 13:05:39 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111658/#p111658</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111657/#p111657</link>
			<description><![CDATA[<b><i>Lazerbeat says:</i></b><p>Sorry, I was updating the post, submitted when I should have previewed!</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 12:56:36 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111657/#p111657</guid>
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			<title><![CDATA[Re: The DX11 is a hugely underrated synth and here is why.]]></title>
			<link>https://chipmusic.org/forums/post/111655/#p111655</link>
			<description><![CDATA[<b><i>Shiru says:</i></b><p>The same for me. And here is why: it is the only invisible synth ever made.</p>]]></description>
			<pubDate>Sun, 10 Jun 2012 12:54:04 +0000</pubDate>
			<guid>https://chipmusic.org/forums/post/111655/#p111655</guid>
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