I'm curious of stories of people dabbling with time signatures like 5/4 or polyrhythms on lsdj.
I once did a poly song in 4/3 and 3/2.
Examples'd be nice too. I might upload it today.
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I'm curious of stories of people dabbling with time signatures like 5/4 or polyrhythms on lsdj.
I once did a poly song in 4/3 and 3/2.
Examples'd be nice too. I might upload it today.
ask me again after May's 8static
pretty pumped for the workshop actually
H command at random place in the phrase screen -> Odd time signature
Last edited by seal of quality (Apr 25, 2012 5:11 pm)
odd time signature is different from no time signature, ne?
there's a lot of 7/4 or 7/8 on my album.
Auxcide wrote:4/3
That's not a time signature.
Yes, yes it is. Just think about it.
Auxcide wrote:4/3
That's not a time signature.
2deep4u lol
Lsdj works great for polyrhythms. I've done 7/8 over 4s, 5/4 over 3s, 3/4 over 4s, etc. You can use the h command, or try setting up an arp in an odd time on the table combined with the g and h command to get a polyrhythm in a single channel.
http://an0va.bandcamp.com/track/sentience-achieved
This one is mostly made of 5s, but there are a good amount of meter changes in the intro.
Last edited by an0va (Apr 25, 2012 6:50 pm)
I made a 5/4 dance tune awhile back. You can hear it here:
http://soundcloud.com/solarbearchiptune
or-of-cans
Did pretty well, I'd say... Made it onto the new Homestuck album, haha.
I fell in love with 5/4 after I wrote an orchestral song in it. It took a while for my brain to actively think in it. You did some cool stuff with it.
Here's the song I was talking about in the topic post:
http://www.soundcloud.com/auxcide/amalthea
In the description I said 4/3 and 3/4, when it is in fact 3/2. It's poly in parts. Mostly during the theme, which was a pain to write on piano.
4/3 is my favorite though.
Do you mean 4 over 3? like "4:3"?
4/3 implies that it's a time signature, which */3 doesn't exist.
I'll take a listen to the jam when I get home tonight and see what you mean!
Actually, I just listened on my phone. Believe it or not, I think most of the song is actually all just a swung 4/4. You can tell by the beat accents. Except for patterns like the intro, where a 6/8 groove is implied with groups of 3:2. But yeah, my cards are in it being strictly 4/4 (swung, 6/8 feel) with an occasional 3:2 grouping.
Whatever time signature, it's a beautiful song and I liked it a lot!
Last edited by an0va (Apr 25, 2012 7:42 pm)
Time To Get Obscure - Compilation for weird time signatures
This is a compilation frmo 2009. There's no official page for it anything like that I think. There used to be a discussion about it on some other site, but then said site accidentally the whole thing or something like that.