play a real instrument. i hear guitars have like 6 channels or something. 12 if you're good.
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Lexington, KY
I don't want to spoil his thunder.... but I may have heard some unreleased Roboctopus with samples like you wouldn't fucking believe....
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Madison, Alabama
danimal cannon wrote:
an0va wrote:What's criteria? Stereo field?
I can usually tell immediately by general pulsewave sound design who knows their way around the block or not...
This right here. I love me some clever sample usage, but good pulse channel sound design is essential.
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I just throw enough effect commands/tables on it so so it makes me look like i actually know what i'm doing
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
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Lexington, KY
an0va wrote:
I just throw enough effect commands/tables on it so so it makes me look like i actually know what i'm doing
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
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Madison, Alabama
an0va wrote:
I just throw enough effect commands/tables on it so so it makes me look like i actually know what i'm doing
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
Sometimes I *like* that 50% pulse d00d. Don't hate on the 50%!
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Solarbear wrote:
an0va wrote:I just throw enough effect commands/tables on it so so it makes me look like i actually know what i'm doing
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
Holy crap I never noticed how freaking weird silly this music video is. Lost it at "Live from the black house" news feed.
Also, I really miss turntable scratches to introduce a verse.
roboctopus wrote:
an0va wrote:I just throw enough effect commands/tables on it so so it makes me look like i actually know what i'm doing
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
Sometimes I *like* that 50% pulse d00d. Don't hate on the 50%!
No hate! Hit me up on g-mail soon btw
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vancouver, canada
Solarbear wrote:
an0va wrote:I just throw enough effect commands/tables on it so so it makes me look like i actually know what i'm doing
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
i'm not gonna click the link but i love that madonna video it has sidebewb and everything
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Lexington, KY
roboctopus wrote:
Sometimes I *like* that 50% pulse d00d. Don't hate on the 50%!
25% is where it's at, btw
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San Francisco
samples are a tool. use all your tools.
no reason not to. it just comes down to knowing your hardware. exploit the limitations. do it. damn it.
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Rochester, NY
an0va wrote:
On an aside, though: It's important to remember song writing. If someone writes a beautiful melody and chord structure with just a stagnant 50% pulse width I totally won't hold it against him (or her!). But at least throw some Vxx/4xx on that shit AMIRITE
express yoself!
so how YOU doin?????
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San Angelo, TX
herr_prof wrote:
danimal cannon wrote:Yeah there\'s nothing wrong with using samples in LSDJ, unless they\'re the only drums you\'re using.
SK1 DRUMS4lyfe
I can vouch for dis
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Sydney, NSW
roboctopus wrote:
danimal cannon wrote:I can usually tell immediately by general pulsewave sound design who knows their way around the block or not...
This right here. I love me some clever sample usage, but good pulse channel sound design is essential.
What he said
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rochester, ny
an0va wrote:
Here's an example of a feeble attempt at Dino/Cheap Dinosaurs style crazy wav sample drum break I did
please post more of this please.