ok...
I like 00, cause it ''looks'' empty among all other numbers, when you're giving a quick look to the sequenceur screen...
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Seattle, WA
Sesska wrote:
ok...
I like 00, cause it ''looks'' empty among all other numbers, when you're giving a quick look to the sequenceur screen...
Really? I like 7F for similar reasons. It's instantly recognisable from every other chain I'm using because of all the angles/the line through the 7. Different strokes for different folks.
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France (au milieu)
i'll give 7F a try for the next one, just to test...
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Spookane, Warshington
I use 7F for empty but I feel like I see more people using 00 for empty.
As for organization things... I use chains 00 - 1F for PU1 and PU2, 20 - 2F for WAV and 40 - 4F for NOI. This really only keeps it organized in the beginning, while I haven't got many chains. Phrases usually follow the same convention. Try to always name your instruments! This has been so helpful for me.
I think as many others have mentioned, you'll get your own way of organization after time.
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I use 7f for empty just because its the topmost value so its easy to scroll up to. Sometimes I have multiple empties with kXX or hXX commands and I count backwards from 7F.
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Melbourne, Australia
Victory Road wrote:
Sesska wrote:why 7F, instead of 00 ?
cause 00 is usually where the first actual idea i come up with ends up going, and 7F feels more separated
This ^^
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Sesska wrote:
how do you proceed, you creat them all into the sequenceur and pick them up when you need ?
Usually something like this, except that I don't play the flute:
Sesska wrote:
then I stop and cry because it's all useless shit with no feeling nor creative impulse and go back to the flute
More seriously, I usually begin by laying down a drumbeat with a pulse kick and noise hat and snare, followed by a bassline--usually pulse but sometimes wave. I usually begin with the phrases which will form the main theme of the song (not necessarily the first phrases of the song), lay the chain with them in down a few times over, and then add variation where I feel it's needed by cloning the chain and adding / changing phrases. As a result of this approach, I usually end up with fairly short chains.
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assuming you have some sort of musical idea to start with, determine what type of idea it is: is it a melodic idea (like a tune?), a harmonic idea (like a chord progression?), or a rhythmic idea (like a drum pattern?) … then start wherever is best suited to bring your idea into fruition.
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Melbourne, Australia
I don't always follow a set way of writing music in general, but the best ones have either just collapsed into place (it's a beautiful feeling when that happens) or, what I normally do, is I pick a feeling. I pick an emotion, either one that I'm feeling, or one that I want to feel, and I make the music give me that feeling. I want the music to take me there. From there I just work until I get the feeling I want from the track. Never really turns out great though...