Search options (Page 10 of 23)

imagine that....

yeah its interesting what I'm doing with chiptune because the whole point is reverb and delay, i'm learning how to make it work at the minute, but its with a physcial analogue reverb, through and actual spring.
Someone said to me in another thread Disrupts reggae riddim album made on a gameboy was too simple and LSDJ tecniques were not good enough giving a very simple sound, but that is kind of exactly what reggae riddim is about is simplicity nailed, with good bass and good lead and good delay/reverb.

Also in regards to audacity the reason i do it this way is for mixing and mastering - it's just a little better to do in logic with the mixer and the buses etc

i am nearly finished the two i was working on, i will post them when im done, just waiting on a photographers help....

i am reasonably versatile

check

www.trinitylofi.com

for an example of my phootography and graphics

everyone has answered very well so far and I'll add my two pence:

the length of a chain for me depends on the progression of the chords/melody i am using

so if I have a progression that is (for basic example) :

C major off beat chords for two bars
E major off beat chords for two bars

or

C major off beat chords for three bars
C Minor off beat chords for one bar

The Chain will be 4 phrases long. This is a simple progression of chords and goes back to the start every 4 bars. But obviously some songs are more complex or have a bit more to them, I have some chord progressions that are 8 bars long and are then 8 phrases to a chain, and I am even covering a song right now where the lead melody is 16 bars long and therefore my chains are completely full.

I find that keeping chains the same length really helps for knowing how far away sections are in the song, and how long your song is by looking at the song screen.

awesome job! can you copyright a copyrighted design though

yeah that is phat