A site called DINGUSDINGUS put up a pretty funny review
Coming in, all, at exactly eight minutes flat, the four experiments (at least that’s what I’d like to call them), contained on a / b, are jarring examples of what computers have done to music. Some listen to this and hear chaos, they might even hear the devil himself, but some listen to it and hear pure beauty. It’s this quality that might very well make Metri’s work some of the most important around. Whichever side of the fence you’re on, there are rewarding moments that revolve around common rhythmic principles; have fun finding them.