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http://receptors.bandcamp.com/album/mid … -graceland
This retrospective collection of RECEPTORS' more popular 8-bit / Gameboy chipmusic releases (2003 thru 2008) includes unreleased, remastered/remixed bonus and a hidden track.
Equipment used is mostly DMG Game Boy (LSDJ & Nanoloop 1.2) and GB Advanced (Nanoloop 2.1) PMA-5 stylophonic MIDI-controlled/vocoded Nintendo Entertainment System ("Stylovoxed" MidiNES ) & Sidstation.
The two remixes utilize vintage analog synths, mainly Moog Rogue, Sequential Circuits Pro-One and Roland Juno series.

[Miniature-model of RECEPTORS by Jesse Turnbull.]

Also available on:
iTunes - http://bit.ly/itnsmdi
Amazon - http://amzn.to/mnimdi
Spotify - http://spoti.fi/sptmd
GooglePlay - http://bit.ly/mdimni

I wanted to point something out regarding CC licensing and some of it's misconceptions.

It's an issue that has become a bit of a problem inasmuch as it appears to, in the end, discourage ANY commercial use at all of the music licensed as CC.

Over the years some of my  CC licensed  Receptors  tracks have been used for non-commercial projects, I assume at least in part due to it's Creative Commons licensing tag, which outlines their availabilty for non-commercial use without permission. One or two of these projects that used the tracks  made it past beta stages or early versions to eventually become a commercial endeavor, which is great, but..

I have noticed in these now- commercial projects that the developers assume they then need  a whole new soundtrack because the CC  songs were' non-commercial .   

I wanted to make clear that with all CC licenses, it doesn't disclude the ability for commercial use as long as the artist is contacted and you get agreement from the artist to do so, of course where some sort of payment may or may not be needed for said artist.

In other words misconceptions about CC  could end up punishing the musicians who were nice enough to have CC work online, when and if a project gets to the point of being commercial.

Of course if someone I disagreed morally or politically wrote me and asked if they could use it, I could say no. But indeed if one was contacted for use in an industry one supported, OF COURSE one could and would have the freedom to say , 'yes go ahead and use my CC track for your commercial use."

CC is mainly intended for the ease of online distribution without permission when no commercial use is involved. So please remember that all it takes is asking the artist first and commercial use is still possible. CC is really just a license beyond any other licensing or (c) copyrights.

The chipmusic community in particular needs to make these things clear since easily 95% or more is all up as CC.

I'm not saying the problem is with CC itself, just the misconception of it's guidelines, due mostly, imo , to it's wording.

http://www.facebook.com/notes/jeremy-ko … 3800885846

RECEPTORS “Korg DS-10 Archives 2008 - 2010”
In addition to the 50 plus Nintendo DS/ Korg DS-10 tracks that RECEPTORS released during 2008 thru 2010 (3 albums & 2 EPs), there were also another 100 or so DS-10 tracks I recorded during that period that remained unreleased, until now. Here for the first time, and for free download are the best 20 of those previously unheard tracks, plus 4 alternate variation takes:

http://www.last.fm/music/Receptors/Korg … 008+-+2010

For your convenience, here’s a link to the full album zip file:
http://receptorsmusic.com/Receptors-Kor … 8-2010.zip

also...

Free download of RECEPTORS ambient/improvisational chipmusic backdrops
for the PROject proJECT event in Roanoke, Virginia on July 22nd, 2011.
All performances are created and programmed on the Nintendo Game Boy
(using Nanoloop 1.5)and the Nintendo DSi (running Korg DS-10 and M01.)

http://www.receptorsmusic.com/Receptors … oJECT.html

For your convenience, here’s a link to the full album zip file:
http://receptorsmusic.com/Receptors-Mus … roJECT.zip

Consequence Of Sound chipmusic related 6-part interview.

Me doing what I do best, talking about myself again.
I do mention a few of the relevant sites and people from the scene throughout the segments though.

Here's parts 1 & 2 of a 6-part interview that delves into chipmusic and other electronic projects I've done in the past.

pt 2:

http://consequenceofsound.net/2011/06/c … ne-part-2/

pt 1:

http://consequenceofsound.net/2011/06/c … ne-part-1/

a lot of stuff that myself and others have said before, mostly for the uninitiated, but pretty good i think, although one edit makes it sound like i think the Supercharger was created by Paul Slocum when i was just explaining how to load a Loopcart.