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First impression:
- crashes all the time with params set to extreme values
- no decent envelope system makes FM very lifeless
- I will probably never use it in this state. Same category as the POKEY oscillator: good intentions, bad execution, pointless in most musical contexts.

Ideas:
- Make channels a possible carrier or modulator like Ring/Sync works right now so we can have channels, playing all manners of other instruments, modify (or be modded by) an FM sound. That would open up worlds of possibilities.
- Add more waveform presets to the wave editor. That way some of the more classic mix of oscillator shapes + fm would be accessible. It would also make the old synth engine much more versatile at the same time. (I'VE SEEN YOUR CODE, I KNOW IT WOULD TAKE ALMOST NO EFFORT FOR THIS. DON'T LIE. DO NOT LIE TERO. I KNOW WHERE YOU LIVE.)

More ideas:
- separate volume and pitch on the noise oscilator. <- THIS x1000
- colors in the sequencer. Let's be honest, names for patterns would mess up the interface something bad. BUT. Adding colors to the background of the pattern 'block' would serve the same purpose and is probably way easier to implement.
- live mode
- live mode
- live mode
- live mode.

┬─┬ ノ( ゜-゜ノ)

My favorite Cheapbeat release to date. True oldschool demo/cracktro at its finest. Very good work man.

/removed

Well now you went and fucked up my post haha.

Rumor has it that there is the possibility of maybe having somewhat of an idea about perhaps putting in place the foundation for the beginning of what could be construed as the start of what might become something similar to a collaborative entity of like-minded melody-driven individuals who would gather in a loose group-like formation partaking in activities along the lines of production-type endeavours of a musical quality. It has even been said that a few of these not-of-the-new-school person-type people could be looking forward to trying to find other characters of such inclinations to join the ranks of this so called fellowship. One might even interpret such a course of action as a reason to compose and expedite one of these electronic letters to the concerned gentlemen for the purpose of offering one's possible candidature for membership in this most grand and glorious of adventures. Should the reader of this simple and elegant missive found him-- or herself to be of an artistically compatible creed, that person would be well advised, perhaps even encouraged, to assemble an indefinite quantity of what they would consider to be their best material into an archive of zipable essence, or perhaps a collection of uniform resource locators, and promptly communicate with the afore-mentioned gentlemen with the details in how to obtain, or access, the material.

Brought to you by the department of redundancy department.

Aye, I already listened to it all more than once Was just hoping to hop on the live chat to get some secret magic info on the usual stuff. How was this made, what did you use, if a tree falls in the forest etc. Dunno if 8 was too early, I think it's a good time. It's just me who can't fucking remember to be anywhere on time

Great work man. As was stated, this reminded me a lot of Super Metroid.. which is no small praise.

Yeah that's pretty much how I see it too. Out of all that is out there, he picked those songs. I got credited properly and it's all done very cleanly. It's not like I found one of my song in EA's latest game or something. I just find it weird that he didn't contact me at all. If I liked some dude's music and wanted to youtube it or something, I'd definitely contact the guy. I mean if I find his music cool and all, I'd want to let him know and give him props for it.

It happened to me before a couple years ago when I had my electro house project. I found one of my songs online on youtube. Back then there was absolutely no way for this guy to contact me from the outlets I had for my songs (shit would go to the label's email and bla bla) so I contacted him and ended up having long MSN chats with the guy and sending him my entire 'discography'. The kid was so stoked, it was pretty fun

Aye. It's true that he's not doing it for profit. Hell he's probably doing it more out of genuine appreciation for the music.. but that brings me back to the original point, if he likes it enough to put this effort in, why not contact me? It's not like I'm.. who was it.. Miley Cirus lol? It's not as much a question of 'permission' as  it is one of.. I dunno.. giving people a heads up on things. Hell even just a "hey check out these videos I made with your songs" would've been great. I guess I'm just confused with the fact there was zero communication.

Call me old one more time and you're getting hit upside the head with a cane   But yeah, I'm not upset at all about it, just surprised. This entire scene has a grand total of zero 'stars' that cannot be reached one way or another. Maybe the guy is even a lurker here.. in fact it's more than likely since CMO is the only place where this EP was advertised. So again.. dammit, why no emails? I WANT MY FANMAIL DAMMIT. ALL THE FANMAIL. Also, some cocaine would be nice.

Well there's a huge gap between no emails, and 5000 emails per day. But yeah.. I'd be totally stoked to get emails! Isn't it what drives us all to make more and better music, knowing that people out there like it? Maybe 5000 per day would be a bit much, but getting a few of them per week would be fucking great

You're just a fat bearded cunt with an attitude problem and I would take great pleasure in carving your face off with a dull knife. That, is overreaction. See the difference?