I generally hate piano rolls because I always turn my head sideways, but that's just me. I usually play something on the piano or guitar and then track it!

306

(4 replies, posted in General Discussion)

breakphase wrote:

I guess I don't know what you mean by "sample to" C, or G or whatever. If you mean which note to map it to, yeah I would stick with the root note. I'm with ya on that.

Personally I always try to have an intention for each sample as I record it, but the song can get "brittle" that way.

Ah my bad! That's the phrase I was looking for - map to note. Thanks!

What I'm really talking about considers chord inversions. Like if I went to my synth and sampled a chord of C - F - A and then mapped that pitch to C-4, it would confuse me because the root of that chord is actually F

307

(4 replies, posted in General Discussion)

Might have a lot of good ideas here. This is about if you have your own synths/softsynths, and you resample them for usage in trackers.

I know it's obvious to sample a lot of your own stuff at C, and I get the idea of sampling chords in all different voicings for variety....but what about inversions? Like if you have a CMaj7 chord voiced G-B-C-E, would you usually sample that to C-4 or the lowest note (which in this voicing, happens to be G)?

Or if you have another chord like C - Db - F - Ab...? C is the lowest note here, but this is obviously a DbMaj7 chord. Sampling this to C-4 to me would confuse me because the root of this chord would always be a half-step higher than what's listed, so I'd sample the chord instead with B - C - E - G...does that make sense?

I guess it all depends on how seriously you take the note values in a tracker or if you just take them for face-value of "high" and "low." Kind of like drum tracks - you don't really "hear" a drum hit at just C-4 (unless it's pitched, but stfu). One note samples are obvious, but chords always interested me as to what you're really hearing when you see a note value.

- - -

And a similar, yet parallel question: Do you sample your synths with a song idea in your head or do you ever have just sessions where you just sample chords and sounds for later use?

I need to say it again: The new remasters of this album really make the tracks fucking pump and slam hard, super fucking nice man - brand new life to these jawns

goodnite sweet prince

kitsch wrote:

more like frasier

less like friends

If you can't handle the heat, return to your appointed French Tuscan Villa and order the caviar mild.

› Show Spoiler

hey

got it working!

video: http://instagram.com/p/kV0K6PxAw1/

312

(22 replies, posted in Releases)

FUTUREBLUE omg

313

(36 replies, posted in Software & Plug-ins)

word, BeatScribe! word!

314

(36 replies, posted in Software & Plug-ins)

bump

So let's say I got something like VOPM, back to the discussion of FL Studio and other DAWS...what would be the least taxing program on my system for this? Let's just say I only want to to MIDI programming with these VSTs, no mixing/processing/production (I'd bounce the audio out to my other computer for this).

315

(16 replies, posted in Nintendo Consoles)

fucking stoked on this!!!

medusa's a cool joint to have it at too. it'll be basically bizarro Trash Bar post the last Blip NY

unggggggg

Fucking rules. Crashfaster band-style rules

319

(21 replies, posted in Releases)

ya Flow was an old 8bc track! finally got a proper release on here. if you still have the original track, you'll definitely hear differences between that one and this one 8)

Dino showed me that in LSDJ, you can also B+Left on all four channels on the Song Screen, now essentially making your song into a live Mono edit