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in my experience, it's fine.. i have both a 001 (NES classic) & 101 (graphite) that i use and have also had 2 micros, a ds lite and now am on my 2nd og ds.. while the sound is a little cleaner on the ds lite, i'm picky enough for recording that i still run noise reduction and there tends to be almost no difference over a PA.. i also prefer the form factor of the gba sp over the ds models, though the micros were obviously nice for that too... nanoloop 2.x is at least stable enough in it's clock speed that you can get away without the sync cable (no drift that i've noticed, even over 2-3 hr jam sessions), but i'd still rather have it considering the relatively small difference in noise levels... agree that i don't think it's worth the work to prosound either gba sp model
edit: forgot to add that you can start and stop nanoloop 2.x by putting it into slave mode when there is no link cable connected. when you return to internal clock, it starts again with the first note in the sequencer

the slight dimming of the backlight is likely due to the way the power save feature works in lsdj. from what i remember, (i rarely use lsdj), it helps preserve battery life by using less power when nothing is playing, but ramps up as soon as you hit play

i'm friends with him on facebook still, but he doesnt post that much.. i guess he's just busy with life stuff?

then you should probably give yourself a lot longer than a few weeks before thinking you're ready to play a set

why the "/"? i don't think they sound much alike

you have that backwards, he said he'd want to join the communist/anti-capitlist resistance, if it were actually part of the scene.. he's right about the fact that lots of people in this scene tend to dismiss anything resembling someone expressing a strong opinion on pretty much anything as "drama", most of them would rather just post memes over and over

yeah, that's never fun.. much easier to do it with a hardware mixer if you can spare the channels