@Jellica, true that. We came to the same conclusion yesterday. The problem has always been there since the beginning of time. It's just that now people only need three mouse clicks to propagate their awfulness. God damn intertubes$#%^&

@roboctopus, yeah I tend to be the same. I can spend insane amounts of time of little details nobody will pay attention to. I think it does make for higher quality releases in the end, but I'm almost starting to wonder if it's worth the time since good releases get drowned in the flow of sewage so quick that they don't even get noticed. I've listened to your EP btw, rocking stuff smile

@esc, I think I was referring to both single tracks and EPs/albums really. I've seen terrible shit on either side. I see what you mean by not even listening to the individual releases anymore, but I kind of feel this part of the problem. If we don't pay attention to what others release, how can we expect them to pay attention to what we release? Shouldn't we collectively try to raise the bar instead?

610

(25 replies, posted in General Discussion)

the birth of chipmusic bollywood? that could be interesting smile

I was having this discussion yesterday with someone. And we both seemed to agree that there is very little high quality material being produced in this scene. There seems to be a general opinion that "meh, it's just chip music, it's okay not to put any effort in what I do" is an accepted fact of life. I've listened to a metric shit ton of releases lately and I'd say around 90% of it is entirely forgettable noise. People don't seem to take much pride in what they do, often using chip music just to put out unmusical pieces because "it's just chipmusic".

Now maybe I'm being extremely picky, I don't know. Maybe I'm not avantgarde enough to appreciate walls of noise and random notes, but I was wondering if anybody else feels this way. Or has it really become acceptable as a general concept that face-rolling the keyboard and making an "album" out of the results is just as good as spending two weeks on a single piece fine tuning every details?

Maybe the problem is indeed, as this thread suggest that there is no limits on the number of songs a user can post directly on this website? The general opinion in the thread seemed to indicate that people would like some kind of quality control in order to not be exposed to the bottom of the barrel. The countless works in progress that are clearly unfinished, and all the music that is definitely not even close chipmusic like bands that record themselves with a potato and think they're making chips because their keyboard player could not afford decent equipment?

Would peer review be acceptable? Or would that create a kind of nazi elite that dictates what's good and what's not? How do we solve the problem of bad crappy music? Do we just ignore it and move on to the next piece? Is it in fact a problem or am I just a grumpy old fuck?

Comments? Opinions? Threats?

612

(1,620 replies, posted in General Discussion)

OMG, IT'S THE LIVE CAT O METER. Look at her... you can see her pupils grooving to the beat right there...

Also started writing tutorials for it on ma blog. Basic stuff for now, but I wanted to start at the beginning so most of this first tutorial will not exactly be news to anyone here. Might help complete noobs however. Eventually I'll get into the nitty gritty.

http://n00bstar.blogspot.ca/

have a look-see

How about... each user has a limited number of song/disk space/whatever, but when a song is really popular/good/amazing/godlike/omgtits then it gets integrated into a 'public' library, thus freeing up the artist's quota? That would encourage both the artists to post only good song, AND make sure the classics don't get lost in obsolescence? It would also create a good database of the best songs that the people voted for. Meh? Just an idea.

615

(1,620 replies, posted in General Discussion)

basspuddle wrote:

Ooh! My friend has an original Sheraton from the 90's, and it's one of the best guitars I've ever played.

Yep it was amazing years for Epiphone. I would love a Sheraton... and a black AlleyKat too. But yknow... it's too easy to go crazy and buy tons of them and never actually play them for what they're worth. I downsized a lot, I used to have a lot of little classic/weird guitars like the Danelectro DC59 that I regret selling, and a beat-up Guild JetStar that I will never regret exchanging for my Casino smile

rasta_dan wrote:

loving the box guitars, really hope you use them

Not as much as I used to unfortunately. In fact I haven't updated my blog about them in three years now sad Life and work have taken over. But I still have a couple of them begging to be finished. The game developer I worked for closed recently so I have all the time in the world to work on them but I just don't have the place for a workshop in my current apartment. I'm also busy working on a chiptune EP at the moment so that's taking a lot of time. But here's a couple of links about them
The blog thing:  http://jamesclarkguitars.wordpress.com/
Demos: http://www.myspace.com/jamesclarkguitars
Some improv video: http://www.youtube.com/watch?v=Vb6B_6uVgy4

616

(1,620 replies, posted in General Discussion)

Timbob wrote:

Yeah, but can you pro-sound them?

They all have exactly 2.074 whole prosounds. The metric kind.

basspuddle wrote:

dat casino

Yessir! I'm kind of a Beatles whore a bit smile And it's an older model, like late 80s/early 90s, back when they were made in Korea. So is the DOT. On both of them the wood grain is amazing, nothing like those plasticky Chinese models they make today.

617

(1,620 replies, posted in General Discussion)

the main setup, computamatron and things.



and these are 6-notes polyphonic analog synths made of wood, it's a brand new technology.

I second the motion. Cat-o-meter for president!#$%#.. I mean.. for tshirts.