chiptune so isn't dead, but the coverage / documentation / journalism of chiptune kinda sucks, and that's why everyone thinks nothing new is happening. if there were more efforts to accurately capture the zeitgeist, then i think we'd feel a lot better about the state of things.
the last thing that i felt truly encapsulated everything that was going on with the chip scene is STILL the reformat the planet documentary (though one could argue that was more a natural side effect of blipfest itself being intentionally cross-sectional with its curation). even 8bc's top 3 tracks feature implicitly reflected the trends of the time, so you could check it out every week and theorize about where the artform / scene is heading.
but anyway there used to be more central, authoritative sources that the whole scene could use to get a convenient slice of the scene at large. That WeeklyTreats project (1 song by a different chip artist every week of the year) was pretty nice because it included interviews that also conveyed the featured artist's insights on the scene itself. goto80's chipflip blogposts were great too because of his perspective as a historian. aaand of course TCTD
nowadays, to get a sense of the scene at large:
- there's chipwin, which imho has a long way to go in terms of the quality of its written content, and overall has a very low signal-to-noise ratio
- you have to spend a lot of time trawling twitter for the latest chatter
- you get what you can from chatter in various chip discords
- you go to chip shows / festivals in person and hope that the organizers are able to curate based on "what's happening right now" instead of "who can we get that's convenient"
So there's a lot of feelers that the average active chip musician has to put out to get a read on things. That's tiring. That's why i think a group of people dedicated to adequately document trends and happenings - with a strong editorial voice - would be a great thing for the scene... if only such people had the time and resources to commit to it.
btw that Latin American chip bandcamp article is great because it seems to reflect a real, mature effort to take a cross-sectional look at the current state of things, albeit a particular subculture of the chipscene itself. more of that please.
Last edited by bryface (Dec 7, 2018 4:04 am)