I normally do pure dubstep rhythms throughout the entire song. No drops unless it's one of my covers. At least nothing big.
http://www.youtube.com/watch?v=acFkRdMAJ4w
Is this the answer to his question? 0_o
Last edited by ClairBear (Jul 19, 2012 5:12 am)
Yeah your video helped and Auxcide thanks or your input, and FrostByte I listened to some o your some wih some drops and that's the sort of sound I will try to capture in the new song I am currently writting thanks so much guys for your help.
Bro don't listen to these guys.. all u need 2 do is put in looooootttssss of D commands rite where u want teh drop to go bro.
The "D" stands 4 "Drop" didn't u read manual?!?
Oh try sacrificing a newborn elk in the name of Sonny Moore while you're at it.. I hear that makes yur drops eXXXtra filthy
I thought it was S for 'sick drop'. . .
D is Dump, isn't it? Don't forget Bs for Bass and Ws for WubWubWub
K. I'm done.
btw, I'm sick and fucking tired of all the lame dubstep jokes
change the subject
just drop it already
lolling at the need for a DUBSTEP TUTORIAL
I have one word for you "knifecityslamdunklifestyle"
And what saskrotch said, drops are a writing style and are platform agnosic
For $1500 I will come to your house and make some drops with you.
For $1500 I will come to your house and make some drops with you.
I will drop this man for $1500.
In a possibly futile attempt to bend this discussion back into shape:
The options usually employed to create a build-up (what happens before a 'drop') and the emphasis on the drop itself are somewhat more limited in chippy environments. For example, there often is a limited amount of channels, so you can't just slap on a 20 osc synth hit and have to rely on timbre changes or arps instead. Volume is also often limited and has to be managed accordingly (and in the case of 1 bit just not there at all).
Other stuff still works: Tempo change, feel change, drum break, sample break, pause...
Build up / Resolve isn't THAT easy, imo. As always, practice helps.