Offline
Dallas, Texas

Greeting all. Here is a video tutorial I filmed containing some useful tips for LSDJ. First I show you my Noise instrument called the 'Pre Snare'. then I go through a method of creating the illusion that your wav kicks and wav bass instruments start on the same downbeat.

--LSDJ Video Tutorial--

Any feedback will be appreciated. If I'm not clear enough or you want something else explained, please let me know. I'd also love to hear any music you make utilizing these tips.

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perth, WA

Nifty tricks, cheers mate!

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Agree.
Even if i always didn't use the Groove Channel, it now got a purpose for me, definitly gonna experiment with this.

Keep it up, great Work!

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Gosford, Australia

cool vid! could be edited more succinctly though, but thanks for sharing this :>
personally, i do kick/bass combos inside the kick table, with P00 followed by a transpose

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Very well done video, pretty helpful, you've got very clean cut instruments, good programming.

I've done the groove trick in the past, sometimes I get too lazy to re-write everything in double-time though. There's another potential option there, though it's a bit more clumsy and I'd recommend your method over this one.

If you know that all of your kicks will be on an even beat and all your basses will be directly following that, you can set your wav channel's groove to:

0-03
1-09

That way you don't have to work in double-time. Or if you're being really boring and just doing 4 on the floor you could do this:

Groove
0-03
1-09
2-06
3-06

OR if you only need it in isolated cases and want the rest of your groove to be steady you can always change it temporarily and then change it right back. Assuming The 03,09 groove is on G-01:

KICK G-01
BASS ---
--- G-00

All of them sound exactly the same, but some might fit your use-case better.

Also, very nice kick, sounds punchy.

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Dallas, Texas
Zef wrote:

Very well done video, pretty helpful, you've got very clean cut instruments, good programming...
Also, very nice kick, sounds punchy.

Thank you very much. Honestly.

Also super tip! A 3/9 groove is rather clever. Though it may not work for some situations. Particularly situations I often implement. I might be wrong but wouldn't that stop me from being able to make a beat like the one below? Beats 7 and 9 would start 3 tics before I wanted them to, right?.

0 Kick
1
2
3
4
5
6
7 Kick
8 Snare
9 Kick
A
B
C
D
E
F

I'll play with it when I get the chance.

Last edited by TylerBarnes (May 29, 2013 6:58 pm)

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NC in the US of America
Victory Road wrote:

cool vid! could be edited more succinctly though, but thanks for sharing this :>
personally, i do kick/bass combos inside the kick table, with P00 followed by a transpose

Ditto.

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TylerBarnes wrote:

Also super tip! A 3/9 groove is rather clever. Though it may not work for some situations. Particularly situations I often implement. I might be wrong but wouldn't that stop me from being able to make a beat like the one below? Beats 7 and 9 would start 3 tics before I wanted them to, right?.

Yeah it wouldn't work with that tongue It's almost always better to just do it the long way, but for 1 time scenarios the 3-9 groove makes it so you don't have to write out everything as a 3-3 groove.

Victory Road wrote:

cool vid! could be edited more succinctly though, but thanks for sharing this :>
personally, i do kick/bass combos inside the kick table, with P00 followed by a transpose

I do this sometimes too, if you'd like your bass sound to be different than your kick you can just use an F01 command and copy the WAV instrument 's WAV of your choice into the second frame of your kick-drum's wave table. Only works for static wav basses, (unless you want to go super technical) but should work in  most cases.

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Chicago IL
Zef wrote:
TylerBarnes wrote:

Also super tip! A 3/9 groove is rather clever. Though it may not work for some situations. Particularly situations I often implement. I might be wrong but wouldn't that stop me from being able to make a beat like the one below? Beats 7 and 9 would start 3 tics before I wanted them to, right?.

Yeah it wouldn't work with that tongue It's almost always better to just do it the long way, but for 1 time scenarios the 3-9 groove makes it so you don't have to write out everything as a 3-3 groove.

But also you can have 16 steps in the groove screen, so you can match it to what ever happens in a phrase

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Dallas, Texas

Good point Saskrotch. I still think 3/3 is the most elegant solution. I honestly don't see what is so wrong or inconvenient with drawing out the wav chains in such a way. It actually gives me more flexibility without resorting to R or D commands. Also, I personally really like the fact I can have 1 chain start with the kick and the following chain starts with my snare (for halftime beats per my example). To each his own I suppose. One thing about the all in one table method is wouldn't the kick sound be transposed as well every time you change bass notes? either that or you'll have an awful lot of redundant tables wasted just for bass notes wink. I again personally prefer the consistency and control my method would give to the kick tone.

It's seems we all have some personal tastes that draw us to using one of these techniques over the rest. I actually didn't know there was so many ways of achieving this. I'm delighted to be learning so much about it.

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sweden

About your table for the tonal kickdrum, you say that the K command comes in after three ticks, when it should actually be three steps or nine ticks. Three steps at groove 3:3 is 9 ticks (3*3).

Also using E2 and transpose in the table can be a bit confusing for beginners and also a waste of cpu and space when you just could have E7 to begin with. Just a thought.

I personally would make the tonal kickdrum in another way because I don't like how it takes up two steps in the phrase and that you're using G3:3. But each to his own.

Don't take this as a rant. I really like to watch how other people go about doing things in lsdj. Keep up the good work!

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Dallas, Texas
nordloef wrote:

About your table for the tonal kickdrum, you say that the K command comes in after three ticks, when it should actually be three steps or nine ticks. Three steps at groove 3:3 is 9 ticks (3*3).

If I'm not mistaken, each step on the table screen equal one tick and one step on the phrase screen equals the number of tics designated by the groove. Which in my example, the kick only used 3 table steps, and the kick instrument occupied only one phrase step. So since my phrase was running on a groove of 3/3 each phrase step was only 3 ticks long. Am I missing something?

You're right about the E2 E7 thing. It's just a workflow preference for me.

I didn't see it as a rant. I find most all feedback helpful, an appreciate it all. but thank you for considering my feelings/reactions to your comments.

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Chicago IL

G00 on tables changes it to steps. Default is ticks. G01 seems to be like half a step? It's not quite ticks or steps.

Also the 3/3 thing is only bad if you write music that isn't super repetitive. Taking up twice as many phrases will help you run out of space much quicker (the song I brought up to check i had the groove commands right was already in the BXs, if i had uses 3/3 i wouldn't of been able to finish that song)

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sweden
TylerBarnes wrote:
nordloef wrote:

About your table for the tonal kickdrum, you say that the K command comes in after three ticks, when it should actually be three steps or nine ticks. Three steps at groove 3:3 is 9 ticks (3*3).

If I'm not mistaken, each step on the table screen equal one tick and one step on the phrase screen equals the number of tics designated by the groove. Which in my example, the kick only used 3 table steps, and the kick instrument occupied only one phrase step. So since my phrase was running on a groove of 3/3 each phrase step was only 3 ticks long. Am I missing something?

You're right about the E2 E7 thing. It's just a workflow preference for me.

I didn't see it as a rant. I find most all feedback helpful, an appreciate it all. but thank you for considering my feelings/reactions to your comments.

I was pretty sure you had the G command in the table and not in the phrase, so I rewatched it, and of course I was wrong. You are of course completely right! I stand corrected. Sorry about that.

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Dallas, Texas

Yeah, from what I understand, tables are always at tic speed. Any G commands inside a table will cause the resulting phrase to change, but the tables themselves are unaffected by grooves.    EDIT: This information is wrong.

Last edited by TylerBarnes (May 29, 2013 10:03 pm)

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Chicago IL

No, what I'm saying is that using a groove command inside a table changes what speed the table runs at.