cTrix
Offline
Australia

Purely on the front of "filtering high pitched frequencies", aka the bus noise - here is a little break down of what it sounds like and what happens when you remove each layer with notch filters. I know it's not completely relevant to this discussion; but it is relevant to the search term!! m00dawg: Will also show ya how much a prosound does for your noise floor!

This recording matches the visual reference.
http://syntaxparty.org/externalpix/DMG- … -cTrix.mp3

Highres: http://syntaxparty.org/externalpix/DMG-Noise.png

ps. The values are scaled and so it's not the best depiction - but great for showing those rings.  I've also double notched one of the high freq's by
accident.

Last edited by cTrix (Jul 19, 2011 8:44 am)

m00dawg
Offline
Texas

Wow kudos that is very cool! Pretty considerable audible difference as well. Curious what program you were using for all that? Ableton Live's spectrum analyzer isn't that cool smile

cTrix
Offline
Australia
m00dawg wrote:

Curious what program you were using for all that? Ableton Live's spectrum analyzer isn't that cool smile

Live isn't really much of a wave editor (as far as I'm aware) but more of a composition / performance tool.

The program I'm using is called Cool Edit Pro.  It's been around for 15 odd years and nothing tops it IMO :-)  Adobe Audition 1.5 is probably the last super stable build of the same program (as Cool Edit was bought out by Adobe).  Reaper also has quite a good set of analysers which plot on the fly for checking signals during multitracking.

nkogliaz
Offline
Europa surfing on the monolith

Arrangement view in Live can be used for some pretty extensive wave editing, but it depends on the knowledge of the user how well it can and will be utilized.

Bout time you got on this thread cTrix.  big_smile