17

(43 replies, posted in General Discussion)

> was born

> got picked last in soccer during recess

> CHIP TUNES MUSICIAN

Here's some more detail about what the show is about, and how it might differ from other chip shows:

https://www.facebook.com/notes/vancouve … 6843957746

FACEBOOK EVENT CLICKY CLICKY | EVENTBRITE TICKET LINK

oh hey guys guess what, vancouver is throwing its own hat into the chip show ring!  This has been something that i've wanted to do for quite some time, but i believe now is the time to give it an honest shot. 

We wanted to start first by highlighting local talent and to do it in a way that is patently imbued with the DNA of my hometown.  i'm actually REALLY happy about this lineup.

Could use some support! (pacific northwest chip folks i'm looking at u.)  also if you're interested in coming, don't forget your travel documentation.  fire away with any questions.

---------------------------------

ØVERFLØW #000 - a vancouver chip showcase
SEPT 26, 2016 | 7:30 pm
FOX CABARET PROJECTION ROOM
19+ | $12 EARLY-BIRD/ONLINE | $15 AT THE DOOR

/// MUSIC

[OPEN MIC]

Norrin_Radd (Surrey, BC)
http://mattcreameraudio.bandcamp.com/
> y'all know him.  he's been working on a lot of SNES/Genesis game soundtrack stuff lately.  personally i'm hoping he'll play some of his legendary NES stuff =P

Fastbom (Stockholm, Sweden)
https://soundcloud.com/fastbom
> our primary import from the Swedish scene.  fully expect the poppy euro demo/cracktro melodic stylings that the region is renowned for.

meckz (Victoria, BC)
https://www.youtube.com/user/meckzdev/videos
> famicompo force of nature, botb'er, general famitracker ace.

bryface (Vancouver, BC)
https://soundcloud.com/bryface
> it me


/// VISUALS: alterus (lemme know if you're interested in viz'ing!)

/// MORE DETAILS SOON etc etc

i know it's probably not possible but i wish the automation let you just draw the entire wavetable, instead of having to automate each vertical slice of the wavetable.  i tried to do a PWM-style instrument but it's pretty counterintuitive in terms of having to implement each partial over time.

the straightforward solution to this seems to try and convince KORG to let the user store new wave banks other than the 96 presets that they have available.  then you'd definitely be able to do some WAV-channel-style trickery about as easily as you would in LSDJ, just by modulating the wave bank #.

never underestimate the draw of a weekly top 3

23

(38 replies, posted in General Discussion)

WHY, CHIPTUNE? WHY

24

(109 replies, posted in General Discussion)

JaffaCakeMexica wrote:

(User was banned for this post.)

BOY am I glad to never have to know what this guy's music sounds like.

25

(109 replies, posted in General Discussion)

JaffaCakeMexica wrote:

post your tracker cheat sheets.

i don't use any; primarily i write by ear and construct instruments / chord voicings from scratch every time.  it's served me well enough for my own personal satisfaction but as a hobbyist amateur, i could certainly use some of FearOfDark's tried-and-tested musical wisdom and might just take him up on his offer more formally.


ok, i've posted some music.  your turn.

26

(33 replies, posted in Other Hardware)

i've been living off of Panasonic HJE-350 earbuds for hmmm basically the last 14 years.  i've gone/lost through about 6 or 7 of these but having tried other brands/models, really hard to go with anything else.  really clear response, maybe a little bump on the lows / highs, but nothing hits quite like these.  and they're only $50-70.

27

(109 replies, posted in General Discussion)

JaffaCakeMexica wrote:

On chipmusic.org, if you try to share a tracker cheat sheet which details many arps and chords, everyone will attack you, call you a retard and insult your mother, then call you a cunt.

post a tune

28

(109 replies, posted in General Discussion)

JaffaCakeMexica wrote:
chunter wrote:

- You don't need to worry about your music being ripped off by anyone.

Record of chiptune thefts:

https://en.m.wikipedia.org/wiki/Timbala … ontroversy

http://createdigitalmusic.com/2008/05/c … s-license/


therefore, never release music, right?

come on, man.  those articles were about incidents that happened in 2007 and 2008.  that's pretty close to a DECADE ago.   

please consider that the chipscene is not only really good at identifying and calling out stolen works -- we'd even help YOU bring the perpetrators to reasonable justice (provided you have reasonable proof that you were the original artist) because as hobbyists we get that you should get proper recognition and recompensation.  EVEN if your music is apparently so goddamned good, that it's actually too amazing to share with the rest of us and warrants your need to antagonize each and every person whose methods and techniques differ from your own.

but we can't defend you if we don't even know what your music is.  in other words, if you share some of your music with us, any of the following things can happen:
a) it will get stolen because it's so good, but we'd defend you because your posting it here is proof that you made it
b) it won't get stolen, because maybe it's not good enough to warrant being stolen, which is fine anyway because we can provide some feedback insights that might help you further refine your musical output, in the spirit of encouragement and edification
c) it won't get stolen, because come on dude, it seriously won't.

regardless of how unassailable one's techniques are, and regardless of how good or bad one's music is - if it's not being shared with the world, or is being used as a weapon to put others down, then THAT'S the real shame -- not the music itself.

pretty big fan of the one that this guy made, oh wait IT ME

30

(108 replies, posted in General Discussion)

ITT a guy attempts to take actual Musicians Some Of Whom Went To Actual Music School to school

31

(6 replies, posted in Software & Plug-ins)

breakphase wrote:

@Bryface Thanks for the write up! So do you like it overall? Is it worth it considering how many alternatives there are?

basically: if you don't already have the DS-10(+), DSN-12 or iMS-20, this is a steal.  especially right now as it's only about $10-12 USD (normal price is ~$20) due to an overall sale on KORG iOS apps  for the next week or so.   even without the sale, it's the cheapest out of all the KORG synth apps, so you're unlike to feel gypped.

If you have any of the other apps, you should get the iDS-10 anyway since it won't make much of a dent in your wallet.  but don't be surprised if the iDS-10 doesn't become your new synth toy of choice and you end up staying partial to the alternatives.

32

(6 replies, posted in Software & Plug-ins)

been playing around with this on and off over the last week on my ipad (despite it only being made for the iPhone).

thoughts:

1) 2 subtractive synths + 1 voice synthesizer + 6 drum sounds.   i'm kind of puzzled by this arrangement.  the first 2 synths operate pretty much like those on the DS-10, but the drum sound parameters are pared way down to 808/909-esque parameters specific to each type of drum sound (kick / snare / hihat1 / hihat2 / tom / "perc").   i don't understand why they didn't just have 8 full-featured subtractive synths -- i'd wager that most iOS devices should have the necessary CPU horsepower to do this just fine.  maybe the rationale was for ease of use but i don't think any true synth heads would sacrifice sound design flexibility for that.

2) the formant-based voice synthesizer is pretty cool actually, you can get it to speak either parsed text strings, or you can use the mic to record speech or whatever else and the synth will use that spectral content as a wavetable of sorts (with visuals and everything).  you can actually use this sort of like a DMG's WAV channel, it's pretty flexible in that you can do things like airy robot speech, or growling deep bass.

3) i like being able to pan around the iPad and enter in grid-based note data as an alternative to the stylus approach, but it's also prone to not being able to distinguish between panning and entering notes, so you might accidentally clobber some notes you previously put down when all you wanted to do was pan around the sequence grid.

4) Effects.  as i understand it, in each pattern, you can set a particular per-pattern effect (delays / reverbs / chorus / EQ) for each synth.  on top of that, it looks like there is one global effect you can set to apply to all of the mixer's channels (the degree to which you can also set per channel).

5) you can easily email songs and synth patches from right in the app.  this should make backups and collabs way easier.

6) you CAN automate parameters via sequence grid.  I can say this because there are a couple of times i accidentally opened up a sequence grid for an arbitrary parameter.... only, i have no idea how to do it intentionally.  i hope this isn't just a bug, because otherwise the only other way to do this is to hit the Record button and manually twiddle knobs.

7) there's an intriguing "Mystery Bingo" screen consisting of a 5x5 grid of cryptic icons that are like "achievements" that individually activate permanently when you use different features of the app.  some of the icons activate when you move the controls in a certain way; others activate when you input a particular sequence of notes in the grid.  as for what happens when all 25 icons are lit, i have zero clue.  i'm guessing partly it's meant as a fun incentive to delve into all the app's features, especially the newer or more obscure ones.  anyway it's a nice touch that i wasn't expecting.