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Ui and Nazzilla come to mind — http://iloveui.com/ & http://www.nazzilla.com/ . I'm sure I've seen both of them do isometric-style pixel art.

With solemn sorrow we place the screamo into its final resting place of the great separate file in the sky.

Just a quick note on the subject -- promotion takes much, much, much, much, much, much more effort than you would think. Even strictly talking about online promotion -- for all of the ways the internet helps you (relatively easy to get word out, social networks help things to spread), it can also work against you (the internet is hueg liek xbox and it is very easy for your own publicity efforts to get buried or lost among all the other noise and clamor). Chipmusic gigs tend to be extremely D.I.Y. and as a function of that, for any given gig you're generally talking about an organizational team of a size somewhere in the range of 1 person, so there is no "central body" to exclusively manage promotion & publicity. The downside of all of this: event organizers probably don't always reach all people who might be interested in these kinds of gigs. The upside: welcome to the underground, the underground is fucking cool.

Was thinking about this, and had the thought that if London has a perception of being quiet nowadays, it may have more to do with the fact that London put itself on the chipmusic map about 10 years ahead of the game & set the bar incredibly high with regular events that made a really big impression among "early" micromusic.net denizens & whatnot. So while any scaling-back can give the illusion of "getting quieter," I think that dialing down the volume knob from "11" to "10" is still pretty fuckin' loud.

8GB moves to London; London chip scene heats up like fiyah. Coincidence???

"To make knife city's wav channel sound, first you must create the universe." — Carl Sagan