1

(3 replies, posted in Trading Post)

will pay for costs of floppy disks/postage

interested in :
musicmon
maxymizer
any other tracker you may suggest, id like to try a handful out...

2

(3 replies, posted in Constructive Criticism)

i wouldn't mind some CC, tracking isn't my forté, more a droney synthy pads guy but am starting to dig trackers more ,
so any CC, tips etc are welcome. ill admit this isnt a great first attempt, but allowed me to get somewhat familiar with piggy.
already jamming a second piggy track, using korg trident/tr606 soundfonts,

3

(3 replies, posted in Constructive Criticism)

soundcloud.com/nightshade-6/intoxicate


Was unable to upload here using my phone internet so ended up on sound cloud

Enjoying piggy tracker, fun to use, would much prefer to mess with a synthesizer though

electricloverecords wrote:
▒▒▒ wrote:

maybe you should think long and hard before spending a lot of money on some shitty dubplates of music not many peoples herd of which is already available for free download.. who is your target audience? maybe experiment with CDr/tape/whatever first (if you want analog vibes go for tape and learn to mix to analog formats, which will be helpful if you do go onto vinyl)
not trying to sound pissy or anything, just don't wanna see you fuck yourself over. vinyl is really expensive nowadays because there is a bigger demand for it (coming from a lot of indie/diy labels etc) tbh, its not worth what they charge

i have, i agree.  it's just a dream.

still, if the price was right and i could make some electronic music vinyl and sell them for like 5 or 6 bucks, people might be into it.

yes, it seems pricing alone is too much for one person.. quick thought:
select 4 artists (yourself included) from your site/label for a 4 way split (i.e one track per artist, 2 tracks per side) contact them, if they are also interested to hear/release on record format then split the cost between the 4 of you, lightens the load money wise, plus allows you to check out the quality of said records
or in a similar vain, find similar labels who are interested to go physical and team up, joint label releases split the costs, promote each other etc etc...

well, my music is on my webpage for free -> electricloverecords.wordpress.com  so people can download and burn a cd if they want.. along with other artists that give their music away for free in digital format.

i would like to select some of the albums and make physical copies of them for sale in vinyl format, but right now the price is too high.

maybe you should think long and hard before spending a lot of money on some shitty dubplates of music not many peoples herd of which is already available for free download.. who is your target audience? maybe experiment with CDr/tape/whatever first (if you want analog vibes go for tape and learn to mix to analog formats, which will be helpful if you do go onto vinyl)
not trying to sound pissy or anything, just don't wanna see you fuck yourself over. vinyl is really expensive nowadays because there is a bigger demand for it (coming from a lot of indie/diy labels etc) tbh, its not worth what they charge

you should never promote digital releases, theyre not actual releases.. just internet archives

just leave links on you website/main page and spend all your money on making tapes no one will hear

7

(42 replies, posted in General Discussion)

"Awesomely, the label even went and bought five golden Zelda carts", wouldn't say that was awesome, more a waste of zelda carts.. most games i could easily live with being destroyed for no real reason, but zelda was/is a good game (and people still buy it!).. i gonna guess the label probably tracked down damaged/non working carts to rape

firebrandboy wrote:

when i read threads like this, i come to the conclusion that american venues are a pile of gobshite.

when i read posts like this, i come to the conclusion that firebrandboy cant read

9

(8 replies, posted in Other Hardware)

cheers for the samples Dos. gonna have me some fun with 'voice'

no problem, i just prefer my A and B sides on a vinyl sad hehe! but some good jams man, will have to check out some more soon and purchase (tthen dub the tracks to tape for easy listening)

'digital letter' is dope. so this is just a digital release (no vinyl)?

12

(42 replies, posted in General Discussion)

ambient industrial? id have to suggest Ministry's 'Cannibal Song', love that fucking sax. though that is just one song, and is heavier on the 'industrial' (the album it was on sucks and isnt ambient)...
as for albums id suggest throbbing gristle's 'D.O.A: the third and final report', if you havnt heard it already.

13

(0 replies, posted in Releases)

" LEECHhead is a project of the man behind 0 (reviewed here) as well as many other obscure and unknown projects. This tape is in a way not a real release in itself, but a promotional tape for his newest project, the label "Falling to Pieces." You might not be able to obtain this tape, but you can find sound snippets of it, and they should serve as a good sample of what to expect from the label itself.

Shortly said, the promo is mostly built of songs performed with two gameboys, but they are packaged alongside some noisier and harsher experimentations. "Intro" stands for a bit grainy sid-chip notes with quite a bit of delay, and soon gets overtaken by grainy distortion that paves the way for "HAUNT." The song consists of ambient-esque layers of sound with some random sid-beats backing it up, but with occasional harsh and grainy noise-attacks taking over the soundscape every now and then, making the tune a rather difficult one to grasp despite its quality components. The third tune is quite a leap, since it's a pure sid chip-composition with two simple melodies being backed by a simple beat and a bass line. The track sounds like a simple arcade tune, and is actually pretty catchy. It ends to fading harsh noise, just to make it sound less out of place.

Side B starts with a low-pitch and distorted sid chip sound going about in some irregular patterns, and it ends up creating some pretty interesting sounds despite its simplisticity. The following tune is a less poppy and more beat-oriented equivalent to A3, and actually "Trashlovers" sounds better and more fitting on the tape than "... Falling to Pieces" due to its lower pitch and simpler and harder sound. A short burst of noise surfaces, but soon makes way for the last track "Broken." It is similar to "HAUNT" without the grit-bursts, meaning that it's a simple and pretty tasty dark ambient-tune composed with a sid chip. It has a nicely quiet and watery feel, which gives the promo a nice end. I could wonder what the constant high-pitch note that followed through the whole B-side in the background was, but it was a very minor bother.

This tape suffers from its soundscape being a tad too one-dimensional and lo-fi, as the compositions would benefit from a bit deeper and plumper sounds. Now the tape ends up sounding a bit too even when considering its stylistical variation and the possibilities it provides. The songs' short lenghts also force them to reveal their best in a time too short for them to create an approperiate build-up or a zenith. The promo sounds fun, for sure, but also too safe despite its experimentations. It doesn't rise to shine.

If the label's releases will follow the lines of this tape but will top its quality, they just might be worth checking out. I'll be finding this out pretty quickly as I have the label's first official release, an EP from Ghoulskool, waiting for a review.

7+ / 10 "
reviewed by M of DBL ( http://www.damned-by-light.com/reviews/329.html )

FtP Records
http://ftprecords.blogspot.com/