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Just looked at prices in the UK and they are like 30-40GBP more expensive than the one you got, so I was wrong!

I asked digdug about this, and apparently the sync will work both ways, which is interesting. I'll check when mine arrives and confirm this.

He's also going to be making some more in the future, so worth keeping an eye on the Etsy page

I'll give it a bash!

One question... If you cut the link cable in half, how did you know what wires corresponded to what pin without cutting it open at the connector side? That's always what's confused me...

Yeah, that's my plan. I can synch both if I use the Game Boy as the master clock, but often I write something and then want to synch up the Game Boy with the modular as master, so this should help with that.

There's a few problems. Venues are often used to dealing in mono because the majority of the acts will operate that way (guitars etc) rather than in stereo.

It shouldn't really be an issue tbh, and any decent sound engineer/venue should be able to accommodate stereo signals, but it isn't always the case - especially in smaller places. As a result, it can wind up safer to just make sure you have a mono output to the desk so you don't lose out on the notes that are panned to one side or the other.

There's also the train of thought that the stereo panning doesn't really work well in the live environment anyway, since people will be stood all over the place - so won't get the benefit of the effect. It can end up with them getting an unbalanced experience of the track if they are stood nearer one speaker stack or the other.

My God. I didn't realise this. I must have missed that update. (he says, hoping it wasn't years and years ago).

To be safe, I've got mono versions of all my tracks now for playing live. At least then if the mixer dies or something it isn't a big hassle to just fire into another one. It's helpful if you want to add mono fx pedals at the end of the chain as well.