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Yeah, probably wrote it in Visual ASM 2011

When people insert these "startling" key changes, it is often during a calm of the storm, or at a climax. In my track "Mourning Glory" I step down from E minor/E phrygian to D minor simply by throwing a fat D in the bass while having my chords up top from the E part of the song. It creates some dissonance, but it works fine. 8 bars before there was a lot of melodic activity, but when the bass comes in there is no melodic motion. I chose calm before the storm for that transition, by changing keys before introducing new notes and ideas to the song. You don't have to be so gradual however.

One last thing - LSDJ can create a ton of different sounds, and always remain uniquely Gameboy. Use this to your advantage when changing genres or styles. Key changes stick out a bit more due to having 3 tonal channels, but it is definitely possible with musical buildup or release.

Disconnecting the SNES clock source (which the Superboy derives its clock speed from), substituting its connection for a switch that is hooked up to a standard DMG crystal and a half clock crystal should suffice.

They exist, but they aren't common. This is one sent to me to frontlight and prosound by BoomGlitch (it's heading his way in the mail tomorrow).

I hope you have met Roboctopus, he lives in Madison.

I'm in the Hoover/Birmingham/Tuscaloosa zone depending on whether I have school or not.

I bought an Arduinoboy kit (blue LED one), gonna slam it into a kitsch case rather soon, I hope...

Probably not Justin has DMGs that use other parts of cases that compliment his yellow-blue=white color scheme, and they have all sorts of things done to his liking. However, it's probably not too hard to make your own in a similar style