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For your snare you could try a table with some TSP modulation and/or some stereo panning. I almost always throw pans on snares. In the table: first tick is center pan, second tick is left, third tick is right, fourth tick is center, fifth tick is blank, and the sixth tick is a H05. The one thing a pan snare is bad for is a roll. They just don't sound all that great when they're 6 ticks apart.

I like a triangle WAV kick pitched at C5 with a table that has PEE(always funny to me) in the command column and a K command somewhere down the table.

Don't be afraid to try a pulse kick in PU1 if you have space for it. Again pitched at C5, but with a shape of E4 or E5. You can get a pretty smooth kick, but you can add some timbre by messing with TSP or S commands in the table. You can add grit using a VFx command, but it can get a little crunchy.

I hope I offered some sort of help. Let me know if any of that info helps 'cause I know it changed how my stuff sounds.

Oh shit! I didn't realize who I was talking to; what up, Nursey?
I know we didn't get a chance to anything more than introduce ourselves at the Mario rave, but we should hang/collab soon dude.

Okay, so the anagram generator turned up some sweet results. I'm not going to tell you the keyword I used, but here are some from a single phrase:

Void Particle
A Lipid Vector (my fave, I'm kind of big)
Acrid Love Pit
Vocal Riptide

And, Clear Void, from a modified version of the keyword

I don't know anymore...

i can vouch for fontographer being good. I draw the vectors in illustrator and create the font using fontographer. i have heard people praising the vector drawing abiity in fontographer, and its fairly common knowledge that freehand beats the shite out of illustrator even.