It's hard to see the audience for this. I would figure that anyone who understands enough musical theory to make use of your cheat sheet would either have their own system or would be beyond needing this at all. And yeah, it could be greatly condensed, even if just for your personal use. All you need to spell out in full to avoid having to think about transposition--which I guess is the main point of this--are the scales (and I'd include those of the modes other than Ionian and Aeolian). The rest is readily generalised.
2 Mar 18, 2013 3:03 am
Re: Recording Help with Noise (15 replies, posted in Audio Production)
Cuddle Television wrote:
thank you noobstar. it helped a lot. and well Les Incoiffables we all have our own style. I prefer to have less noise because I record my noise tracks after. So it makes the sound more crisp. I like noise too, just not from my crappy soundcard
Yeah, no, I was thinking just your typical Game Boy noise. Through the mic input you would have been having altogether too much noise.
3 Mar 17, 2013 1:49 pm
Re: Recording Help with Noise (15 replies, posted in Audio Production)
or: learn to stop worrying and love the noise
4 Dec 5, 2012 2:43 pm
Re: <MEL, AU> 14/02/13 - SoundBytes Loves Square Sounds - SSM2013 preparty (31 replies, posted in Past Events)
aw yiss
5 Oct 11, 2012 1:02 am
Re: Welcome to CM.O! (Introduction Thread) (676 replies, posted in General Discussion)
Victory Road wrote:
Les Incoiffables wrote:Also I make rad chipmusic.
This is true! How do we say your name, again? :v
You say "le" and then just kind of mumble the rest and hope that there's no-one around who actually speaks French.
6 Oct 9, 2012 3:49 pm
Re: Welcome to CM.O! (Introduction Thread) (676 replies, posted in General Discussion)
Hey guys! I'm a German-American rocket scientist, aerospace engineer, space architect, and one of the leading figures in the development of rocket technology in Nazi Germany during World War II and, subsequently, in the United States. In my 20s and early 30s, I was the central figure in Germany's rocket development program, responsible for the design and realization of the V-2 combat rocket during World War II. After the war, I and some select members of my rocket team were taken to the United States as part of the then-secret Operation Paperclip. I worked on the United States Army intermediate range ballistic missile (IRBM) program before my group was assimilated by NASA, under which I served as director of the newly formed Marshall Space Flight Center and as the chief architect of the Saturn V launch vehicle, the superbooster that propelled the Apollo spacecraft to the Moon. According to one NASA source, I am "without doubt, the greatest rocket scientist in history". Also I make rad chipmusic.