Ryan Galloway wrote:Pitchfork's twisted, pay-your-way posts
Wait... so you resent the fact that you got on Pitchfork?
I never really cared about them and they kind of represent the very dark side of music writing. A large portion of my close friends are part of of this BK music scene so I'm exposed to a lot of PR strategy. The hype cycle is absolutely nauseating, especially since there's so much money and dealing involved without any of it truly being transparent to readers.
"Resent" is the wrong word. I think I'm closer to being ambivalent than anything else (specifically toward Pitchfork). At first, I was pretty excited about potentially being on a big site like that, no matter how they wrote; however, it's apparent that we were written about because we have a vocalist and because of our label, whose output has generally been enjoyed by Ian Cohen, the Pitchfork writer. If that wasn't the case, then Crying would most likely be ignored by them the same way they tend to ignore chiptune as a whole.