Search options (Page 2 of 15)

It DOES look excellent, but the function it serves when midi synched is the same as phoscyon, but without the availability of mapping knobs to twiddle...or flipping back and forth quickly between patterns with drumpads. I'm not a hater. just saying.

It looks awesome for an entirely gameboy based setup, but it will be frame rate based speed instead of BPM so difficult to use in terms of sampling patterns out into a DAW, thats why I'm keeping my fingers crossed for a full makeover of the android and ios nanoloops, making them into awesome beasts! the design is better than almost all other ios step sequencers (all parameters can be changed per step, beautiful functional GUI)  but the 8 patterns per channel limitation is...

the url kept coming back..   
.
.
ok, nice.. thanks

Hear, hear!

My sentiments exactly.

o.k, sorry about that.

I thought because its old technology it would be thirty something mostly, like if you had an original gameboy when you were a kid.

yeah, i know what you mean with the demoscene 1996 ish.

I mean to say that, simply put, the modern endemic chiptune movement is, in reality, a kind of hat tipping to the chipmusic pioneers in the nation of Japan who brought about the magical feeling that many yearned to recreate approximately twenty years onward and after the fact.
I must hasten to add, lest we may forget, that there were early pioneers in the U.K too (rob hubbard springs to mind but alas, there were many) although it was aeons ago in another age. Chiptune composers have certainly been none too complacent in hat tipping other forms of electronic music in addition to the aforementioned.

By saying that chiptune is an offshoot rather than a medium per se. I am implying that many chiptune composers have been demanding sureties while others have been in a state of refusing to find sureties, those which were placed before them. Do you see?

not always.. i think there is potential, occasionally I'll hear something groundbreaking but I think people want to pigeonhole themselves too much (assigning themselves and their music to a particular category, typically an overly restrictive one).