545 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

clearly ;D hahah

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546 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

COOL! new stuff is in, 17 submissions at final count (I'll pair I'd down a bit) to 2 submissions max per artist) The is some good stuff here, this is going to be a cool comp big_smile

I'll do some mixing and mastering this week, and I can probably get it releasable by this weekend!

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547 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

eh, ok send me a .nan then wink

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548 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

ok! wrapping stuff up to tonight! got a few GREAT last minute tracks, and if anyone else wants to submit, now is the time

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549 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

total? so far we have 14 submissions i think... maybe 1 or 2 more hanging in my inbox.

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550 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

tomorrow!

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551 Reply by BR1GHT PR1MATE

(8 replies, posted in Releases)

excellent release, I love the demoscene vibe!

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552 Reply by BR1GHT PR1MATE

(16 replies, posted in Software & Plug-ins)

wtfyes

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553 Reply by BR1GHT PR1MATE

(17 replies, posted in General Discussion)

^ DA FUQ

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554 Reply by BR1GHT PR1MATE

(17 replies, posted in General Discussion)

well it IS funny if kidz are trying to style-bite chiptune thinking it makes them cool. IF ONLY THEY KNEW HEH

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555 Reply by BR1GHT PR1MATE

(19 replies, posted in Releases)

WEIRD! Bright White Light was my first 8bc handle

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556 Reply by BR1GHT PR1MATE

(135 replies, posted in Collaborations)

BUMPITTY BUMP BUMP! I talked to sylcmyk and he's in for a couple of tracks too... anybody else wanting in before the deadline?

I'm thinking, like next Sunday May 6th as THE DEADLINE. I've got some pretty sweet album art from Jake too, so everything is looking nice. It may take me a bit to get all the tracks leveld and mastered, but I'd like to get it out before June. sound good?

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557 Reply by BR1GHT PR1MATE

(89 replies, posted in Nintendo Handhelds)

metric modulation sounds really technical, but it's a pretty simple concept: basically you are using some pulse from one section as the anchor for the time signature for another section. Like, say you are in 4/4 and you are using a lot of dotted eighth-notes at the end of a section, then your next section is in 3/4 but using the duration of that dotted eighth-note as the tempo for your new "quarter-note". So technically from the stand point of your previous meter, the new section would be in 9/8 rather than 3/4, but you would do this to avoid certain notational conventions... like say you are using dotted-eighth-to-16th-note rhythms or something. To do this in notation, you simply put a little note at the top where the "tempo" would go that has "a dotted-eighth = a quarter-note".

Obviously it can be used for much more complicated changes then what I'm listing here, but it's not more complicated than that. The whole idea is that it he ear doesn't really notice that you're abruptly changing tempos.

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558 Reply by BR1GHT PR1MATE

(89 replies, posted in Nintendo Handhelds)

seriously though. Mussorgsky is a bad mofo

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559 Reply by BR1GHT PR1MATE

(82 replies, posted in General Discussion)

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560 Reply by BR1GHT PR1MATE

(82 replies, posted in General Discussion)

bleo wrote:

Please try to be nicer on these forums.

FHAHAHAHAHA come on guys, you can *not* be serious. this is THE most consistently dickish music forum ive ever been on EVER. I mean, i love it like a jerk brother, but that is a card that just cant be played at this point LMFAOOOOOOO

anyway...

MicroD wrote:

While we're at it... Has anyone else noticed that sometimes Bandcamp's streaming playback seems of especially low quality, even for 128kbps? I've had songs come out of the streaming player sounding almost as if they've been resampled numerous times, with telltale signs of garbled low-end and fizzy highs. It's a shame I can't encode and upload my own streaming versions for better quality.


i think i might have info on this! i looked into the same issue with soundcloud (terrible streaming sound) and it turns out that how they compress it makes a mess of things that are louder than -3db (if i rember correctly), so those of us that are mastering hot get audio artifacts all over the place. so if its worth it to you to make quieter recordings for the sake of streaming quality, idk?

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