Yeah, yeah, yeah, I'm still about
TEEEEEEEEEEEEMPZ
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ChipMusic.org / Forums / Posts by epichunt
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Yeah, yeah, yeah, I'm still about
TEEEEEEEEEEEEMPZ
this is wicked! gonna play about with it live real soon
I don't even know what adjective best describes the fact that this is the most active thread on here
8bitcollective wasn't a thing until 2006 (or very early 2007), nonfinite & kitsch both got into the gear game in late 2008, iirc (low-gain was the main US cart source through 2007)
I stand corrected! I remember you from 8bc, environmental sound collapse! how have you been?
so what places were the stalwarts of the scene in the early 2000s then?
The last time I popped my head in, there were some pretty active Discord servers like Chiptune Cafe.
I'd been around since about 2008, I still have fond memories of chipmusic, this forum, 8bc, the gigs, the awesome artists I got to hang out with etc but it was such a long time ago since everyone I knew was active that I fell away too. Hope you're all well, by the way!
Sycamore! I remember you also. I think we were both starting out at the same time. How you doing, got any new music out?
What gatekeeping?
Also, aside from background music in children's TV shows and game soundtracks, chipmusic has essentially gone back underground. The difference between the 8BC in its heyday and this place now is immense. I've been writing chipmusic for 12 years. It's not popular anymore, but that doesn't mean the music itself has to suffer.
hey, I hugely agree with this. also, was your name always feryl?
i’ve got the entire source for 8bc due to jose recruiting me (a literal child at the time) to help “test” his bleepbloop carts (as well as making me a mod of 8bc and requiring me to answer support emails) and it’s an absolute dumpster fire of php.
been wanting to do something with it for a while (ie port it to a language used since the extinction of dinosaurs) but matt of kitsch bent still owns the 8bitcollective.com domain (lol) which redirects to his website (lol) which itself is completely broken. for some reason that’s really funny to me.
the trademark on “8bitcollective.com” expired a few years ago (yes, it exists); always thought it would be a fun (and completely fucking stupid) project to get it back online.
this is bloody hilarious. also, by source you mean the code, right? not like a back-up of all the songs etc on it....that'd be way too much data for one person, no?
I'm not the most qualified person to speak on this (I only discovered the scene in 2007) but I can paint you a rough timeline:
1980s/90s - actual demoscene / hardcore OG chiptuning. google or wiki demoscene and you'll get an idea of how chiptune/8bit music was actually born
begin of the 2000s chiptune began to establish crossover appeal. ease of use plus relatively famous artists (beck, Björk, crystal castles) led to (for example) the babycakes (a scene-kid/emo/??? clothing brand) endorsement, with artists like henry homesweet (a lovely chap whom I met in my hometown or Norwich once) playing huge raves. sabrepulse also had some pretty big internet fame, followed by colonopenbracket etc. there was definitely a lot of emo/scene-kid hype towards 2006-2010.
throughout the early 2000s 8bitcollective was active, 8bitpeoples put out some fantastic records with growing publicity, 8bitfest was putting on awesome lineups. nonfiniteelectronics and kitsch bent were enabling basically anyone to make chiptune who had 80 quid to spare. every week a new form of pro sound or backlighting was being discussed and perfected. I was very active on 8bc, the scene was basically my life 2007/2008, and it was a great time (for me at least) to be in the community. although a lot of the older heads were already complaining about how mainstream it was getting, that n00bs were asking the same questions, that all the music was just uhhn-tiss uhnn-tis.
so basically, the scene was born from a fringe-movement, and experienced a temporary boom in popularity due to mainstream adoption. 8bitcollective closing didn't help (man, I was fucking gutted when it went) and over the years more and more of the pillars crumbled. so we've essentially come somewhat full circle to where the movement started.
I'll be honest though, personally I see a lasting impact from these years of 'boom'. I was just recently visiting a mate at his uni department and saw two kids with "I my gameboy" stickers, my mate introduced me to them as they're both getting into chip tunes and had some questions. didn't see anyone into 8bit when I did my degree 7 years ago, and when I was gigging 8bit stuff I never once met someone who knew what the hell I was doing. I feel the public consciousness has definitely absorbed chiptune, but the actual scene has reverted to being more nerd/hardcore, which I think is a good thing. I came to 8 bit via Mark Denardo and the Mark VII hiphop remixes, but I may not have stuck around had it not seemed so alive and accessible, I'll be honest.
So, to answer your question:
In my opinion, chiptune is as it always has been. It just went through a bit of a hype for a few years.
Anyway! This is all just the subjective view from a dude who played a lot of gigs in bumfuck norfolk when he was a teen. might look completely different to someone closer to the heart of the scene (New York? Central Europe?)
yes, I am! been a long journey. just checked my log-in and it still works, mad! especially seeing as my last visit was: FEB 15, 2010
I bust out my gameboys for a performance in 2019 and since then I've revamped my live set to include the two old-timers. have used them quite a bit and was always checking this board for new info on issues I came across.
am very happy to see some familiar names and faces about, and it's great that this place still exists.
got in touch with Johann a few months back, happy to hear he's still doing well.
if anyone remembers me or my stupid username, drop me a line
man, can you please respond to emails?
i was wondering if you'd sent of the microkontrol yet..
cheers
x
hey,
i lost my iPod in the snow and i have been using a shit mp3 thing lately and it's really pissing me off.
an old iPod mini or nano or original will be fine, will oay up to 20 quid for one or trade gbs.
cheers!
x
if you pay for postage, i'll send several of these your way
i have around 7 back pcbs
rusko
oh, some rusko as well
maybe some rusko while youre at it, although i've heard rusko is better due to him doing stuff with rusko - although rusko said he didnt like ruskos stuff
rusko is decent
although if its more hard dubstep, id reccomend rusko
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ChipMusic.org / Forums / Posts by epichunt