I don't really count, but it's roughly 12 because I try for one per month or more.

With all being key?

Shouldn't that die instantly due to prior art?

Victory Road wrote:
arlen wrote:

Woaaahhh. Wrong!

well yeah, but i never felt like it was socially divisive until the trend went a bit more mainstream, like 03/04. did people ever get mad about texas is the reason? i'm too young to really appreciate late 90's alt culture i guess :v

Most of those bands (AFI, MCR, etc) were an off-handed pop/metal to me, may as well have been Fallout Boy or Linkin Park.

It's funny how it only takes 3 seconds for the popular idea of what a genre is to get messed up.

breakphase wrote:

Yeah but who said that's what emo was about? Early emo was more about introspective/spiritual lyrics, and a certain type of dissonant and spooky instrumentation. I think the backlash against it is quite interesting.

I wish I could remember band names to put a finger on it for you. The negative first impression was a suburban white kid singing punk music that whines about childhood/adolescence, particularly, consider people who took that same aspect of early 90s alternative seriously. (For contrast, I thought grunge was whiny too.)

Okay, having listened to a couple tracks I think they should have picked a better name.

arlen wrote:
breakphase wrote:

I didn't realize that real labels were using bandcamp. That's weird. I guess they help with promotion and making actual records though (record labels, that is).

Bandcamp has become a great platform for selling music much like iTunes, but much more independent. Pretty sure with iTunes you have to get "approved" or something. I've never bothered with it. It's easier for small indie labels to use bandcamp to distribute merch, music, records, etc. You can do that all from bandcamp fairly easily now.

You don't need to be approved to sell in iTunes but it costs money. I think indie v commercial happens in waves, where right now the independent are considered to be at a disadvantage. That proverbial pendulum is due for a very hard swing.

When did 'emo' ever not mean immature? Basing a style of music on the idea that you are the only ones who express feelings deserved many flavors of hell.

JodyBigfoot wrote:

dunno the original I'll check it out.

Are you sure?

Not everyone can learn to adjust to mental illness.

186

(27 replies, posted in General Discussion)

herr_prof wrote:

Unless you can convert your 2a03 samples into nsfs you are out of luck.

S3M2NSF did just that, and was the start of the wave of western entries. At first it was pretty much all MMCK as I understood.

187

(6 replies, posted in Nintendo Consoles)

It sounds like noise, and could be getting picked up from a CRT. Move stuff around and see what happens?

188

(8 replies, posted in General Discussion)

How many people do you know who can travel over 800 miles without having to worry about time and cost?

The connection with other nerdy things, the idea that going to convention is a Mecca, like a religious obligation that you must attend once in your lifetime, is a fair one, but I don't think it's the whole answer.

PULSELOOPER wrote:
Dire Hit wrote:

It also sucks when the performer doesn't look like they're having all that much fun, and live mode takes a lot of concentration.

Some people comment that I'm "too serious" at my gigs. That's right, 'cos I'm really concentrated. But for me that's where all the fun dwells: using live mode in lsdj/lgpt, tweaking the synth modules, mutting/solo channels etc et al.

My body is far away from a sabrepulse performance, but my brain and soul are completely tripped out.

This burns my ass somewhat. While a rapport with the audience is important, eg. "How are you doing tonight? Are you enjoying yourselves? Thanks for having me," if what the performer is doing matters more than the music itself, why are the audience there?

While a circus-act feeling can help keep people who aren't necessarily musicians interested, and sometimes stupendous technique is part of that, and others just need a smoke machine, some lighter fluid, and a zippo, what's the point if people don't enjoy your music at face value?

Dire Hit wrote:

Example: an FL trap song I've been working for the last week is a monument to my indecision. I can't decide between 2 instrumental tracks that I can't get to work together so the drum track is designed to fit both 'songs' and I just mute one or the other depending on my mood when I'm working.

You can call them two different songs that just happen to have the same beat if you want.

Cheating = ripping songs, claiming they are yours.

191

(8 replies, posted in General Discussion)

I've always assumed more than half of us make music.

I used to mix to -6 to make sure the square waves don't overpower the samples and other instruments, and roll off highs to prevent harshness, but that only means anything if you're mixing stuff that sounds like me.