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The comment about adlib gold is correct, I don't know anybody who had one. The wave blaster comment is mostly correct, the expansions remained available for a bit for people who could use them but it wasn't long before you could get AWE 64 cheaper than you could get SB 16 expanded. (Because of this, I never heard SB 16 + Wave in person.) Once the generation of sample-only cards took over, Gravis Ultrasound became the best at that sort of thing, I wanted one but never got around to it.

You may imagine, FM doesn't really have a straight family tree, if you take all the synthesizers, arcade cabinets, and home computers into account.

My understanding is, you have the right idea; find your friends and stay with them for best results. Also, see if you can get yourself some more 円. Beware the exchange rate, bring the right passport, and have fun.

My opinion on this is that the answer should be "both."

I didn't answer the first part because I didn't want to seem to sour the results; I have a Nintendo DS and some mp3 players I purposed for live playing, but I found that since my lifestyle doesn't really allow me to play out, it is much faster to make songs on the netbook.

I think something that can reach LSDJ playability whether you have something else along with it or not is important, but something you can easily plug something else into or can rearrange operations on is important as well. If I'm not being clear enough, consider the filter input and documented solder points on Korg Monotron, the patchcord section of Arturia Microbrute, or at the most extreme, the jacks on Korg MS-10/20. You could send and receive clock syncs and note inputs/outputs, and maybe some other things that won't be obvious until you've started building. Good luck.

These two black guys tried performing Hey Ya at Coachella and it didn't go over well. I think they were called Outkast or something like that.

There was at least one person from Savannah, GA lurking here though I'm not sure he's still around Savannah or the board.

Good sounds, don't sell yourself short.

No swing was a main gripe in the review magazines when it was a new product, too. You may prefer the Sound Canvas series.

There should be response instructions, regarding the Beethoven piece, you can explain that the composition is in the public domain and they will lift the strike. Regarding the other, it's only an issue if you want to monetize.