1,329

(52 replies, posted in General Discussion)

Jellica wrote:

...i'd rather not have to be forced to make it for a job as i'd probably have to create things that I fucking hate.

Imagine working in a studio and having to listen to some cunt with an acoustic guitar moaning about fucking reverb on his voice.

This too.

1,330

(52 replies, posted in General Discussion)

FTF wrote:

Since when can chipmusic pay the bills? tongue

Not to sound like a sourpuss, but a certain lot of people I've known over time have made it impossible for me to be zealous about anything.  It doesn't mean that I don't like stuff anymore, it's just how I keep my life in check and out of danger.

I don't want music to be my main job, it's a dangerous rollercoaster of a lifestyle that is no longer appropriate for me.  I started to like making music again when it stopped being necessary to make a career out of it.

1,331

(17 replies, posted in General Discussion)

Sprite-swapped games can be interesting sometimes, if you can find the original.

1,332

(73 replies, posted in Graphics, Artwork & Design)

This video is just a slideshow anyway:

1,333

(18 replies, posted in General Discussion)

Perhaps a question to ask is, why do you want to expand your setup?  Maybe some Boss pedals will do.

1,334

(28 replies, posted in General Discussion)

That's funny and stupid simultaneously.  I thought Kookaburra was a folk song (not copyrighted) and that any similarity in that flute lick was intentional (to set the whole "Down Under" scene.)  Do you expect them to make it Waltzing Matilda instead?

In other news, the law is broken every time Americans sing "Happy Birthday" to their family and friends.

1,335

(54 replies, posted in General Discussion)

matt.nida wrote:

I'd like to see more Chicago/Detroit influences in chipmusic, it seems they'd be natural bedfellows but I can't think of many examples of it being done (well).

My personal opinion is that is because the tools of Acid, House, and Techno had filters- most chip musicians don't use them or have very limited access to them by comparison.

If anyone reading this still needs the root influences, here they are:


and the Pachelbel's Canon of electronic music:

Add some Philip Glass stuff and stir.

1,336

(59 replies, posted in General Discussion)

This year I want to work on projects that won't qualify, so while I'm planning to use the month to make an album (or two!) it can't be used in RPM (because I want to revisit old material.)

1,337

(54 replies, posted in General Discussion)

All rise for our national anthem:

TI 99/4a was my first home computer.  Compared to Apple and Commodore they are a bitch to program, and because of their design, they are slow.

Get a Terminal Emulator cart and a Speech Synthesizer, that gives you text-to-speech powers that you can trigger from BASIC.  The rest is such a pain, even its assembly language (look for Editor/Assembler if you dare) was a bitch and is probably the reason I couldn't grasp it when I was 12.

If you're super daring and have more than one, circuit-bend it.  (You better know what you're doing though.)

So many people have said it that I don't know who to quote: it's not your gear, it's what you do with it.  A teacher I had began class with the question, "What recording gear is better, digital or analog?"  The answer of course, is neither, because it depends on what sort of sound you are after.

Since most of the people reading this are into extremely pure and unaffected tones, I'd say you just need something that transmits that as transparently as you can handle.  For recording, a good cassette deck will do.  For mixing, anything that can take getting spiked by a hot signal will do.  Search for the property you want, and find out what it costs, then worry about how much money you need.

1,340

(34 replies, posted in General Discussion)

I'm very surprised at how many non-musicians are coming out in this thread, and glad for you all.  Musicians can tell you what sounds harmonious or what has a difficult rhythm.  Fans that don't play instruments can tell you what sounds fun.

Not to devalue the advice I've gotten from other musicians in the past three years, of course.

My gear is deliberately inexpensive, I have a steady day job (which I like very much,) I have a donate button on my web page, and I sometimes sell stock audio under another pseudonym.  I also started selling some of my older CDs that I don't play anymore.

Most of the money comes from the day job and disappears into my car.

1,342

(186 replies, posted in General Discussion)

http://soundcloud.com/chunter

1,343

(274 replies, posted in General Discussion)

@chunter16

1,344

(38 replies, posted in Other Hardware)

trash80 wrote:

You know our dear friend Johan Kotlinski is involved right? I'm just saying because someone had to.

I'm sure he's a nice enough guy that makes another fine product I do not use (as I don't do GB music.)  I didn't intend to offend anybody; my verdict is still mass production required and/or probably can't afford one.