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Memorias y movimientos by Crab sound reconnects us to the intricacies and idiosyncrasies of human relationships. It reminds us that every link between two people is unique and constantly in motion and transformation. It is shaped by our shared memories and a common ground that unites us. In chiptune, it is the bleeps and pixels that we assemble, assimilate, and disassemble; in other walks of life, it is the way each step we take moves the life of those around us.

Guided by the nature of our intentions, we gravitate towards or away from one another at a pace that can only be described as relative; the amount of time you've been in the presence of someone does not mean you know them, but you can share feelings with someone who has only recently become part of your memory. Most of the time, we move people whom we do not know.

More often than not, our frustrations and deceptions make us travel downwards towards the noise floor. From the multiplicity and unison of our lamentations, we look for creative solutions that can give us a sense of salvation. Together yet alone, we try to escape this world, a prison we all share without knowing. But you can never be completely trapped in a dungeon filled with light.

Dominique Pelletier 2017.

Cover art by Lore Sosa (MX) https://www.behance.net/coroneldcvb80a

https://cangrejo.bandcamp.com/album/mem … mientos-ep

Chido Chip is the oldest diamond Collective Chipotle keeps sound in your living trophies.
2012 was the birth of that album, along with many Mexican producers chiptune music, grown at Chipotle Collective;
some were transformed into golden statues now in the museum of memories and others are floating in a galaxy full
of meteorites and space, looking for a new place to land their sounds.

Meanwhile, all these humans who joined us at this time, we decided to erect a new album with the name Chip Chido;
a new  chido chip that brings new producers / chiptuners with those who were in a swamp picking up his Gameboy,
some in armor standing castles pixels ... and yes, they get up, take their best weapons and help us build this Chido chip
you now have in your ears.

Today you have the opportunity to support collective Chipotle and Format.DF, support our artists whose goal is to bring
new music to more people in Mexico and the world. All donations collected for this album will be used to fund
Format.DF and Refresh Festival

Chido Chip VOL.II / Listen and download here

Friends from all around the world,
Would you like to play in Format DF this November, 2015 in Mexico City? Signup with this form!

ENGLISH - http://goo.gl/forms/VaM3luPaZE
SPANISH - http://goo.gl/forms/sKdHsO8pvJ

/ www.facebook.com/formatdf /
/ www.facebook.com/colectivochipotle /

Hello Guys i´m Crab from Mexico city, im co-founder,collaborator & Member of Colectivo chipotle the first mexican colective of
8bit music.
i invite you to Listen my official EP from this year, a little album with tracks from my LSDJ.
you can listen the full album and support my work if you want on Bandcamp:

www.cangrejo.bandcamp.com
www.56kbpsrecords.org
www.colectivochipotle.org
http://cargocollective.com/nestorovilla

Raw & Vegetables its a experimentation of different s generes of music, like Dubstep,Noise,Drum & Bass and more NOISE
a explosion of the WAV CH.!!!

"Es el tiempo de los nostálgicos, de los alucinados, de los poetas; pero también de los revolucionarios. Después del instante prometeico, viene la amplia etapa de retoques, de ajustes, de correcciones y mejoras. Trabajo minucioso, muchas veces invisible, que exige pericia, concentración y paciencia y donde se acusa, más que en ninguna otra parte, la mano del maestro. Y aquí podrían argüirme que esta apreciación entra en conflicto con una de las características usualmente atribuidas a Crab sound, su facilidad para componer temas nuevos y su velocidad para secuenciarlos (son ciertas las anécdotas de músicos chip apabullados al descubrir que Crab prácticamente terminó una pieza de calidad en lo que esperaban su turno para subir al escenario, o de la veintena de piezas originales extraviadas para siempre en los archivos de una computadora, en la memoria de una PSP o en las entradas sobre escritas de un cartucho para LSDJ); pero yo mismo he sido testigo de cómo él se niega a compartir su música hasta que ha alcanzado un estado de desarrollo suficiente para sus estándares de calidad. Su preocupación por el material que ofrece a su audiencia es legítima. Como en Raw & Vegetables podrá constatar el escucha, la presencia de fillers y broza insustancial es nula. Finalmente, otro de los rasgos que descubro en el proceso creativo de Crab sound es su sincero compromiso con la obra de arte per se; la intención de explorar nuevos terrenos musicales y compartirlos con sus seguidores no como un huero lucimiento personal o una competencia para demostrar su valía (como Béla Bartók dijo, “las competencias son para caballos, no para artistas”)."