1. bought a NES in 2008 after suddenly missing them really badly, and after suffering a through games with musical scores significantly worse than i had remembered, searched the internet for tools to make compatible soundtracks and found famitracker. at the end of the year i found 8bc (which was already in "only old 8bc was good/8bc was never good" mode). of course before that i had experienced composing MIDI music for doom wads, for years and years, but not everyone really thinks of that as chiptune, and i hadn't heard the term until a few years ago

2. good question. i do feel as though i make music in this style simply because i love famitracker, and if it made music for musicboxes or player pianos then i'd love that instead. but chip to me implies the need to cut corners and deal with very limited polyphony, to make the most out of a very limited range of sounds.

3. tim follin's soundtrack for solstice. you get a prog jam and a serious piece of dark background music with enough sensitivity to make up for the prog jam, haha... it shows that the best composers were already looking for ways to push the envelope.

4. dunno. you can make chipmusic in the latest version of cubase if you really wanna - it's just that the old grey boxes won't let you make anything BUT.

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(65 replies, posted in General Discussion)

looks like there's a lot of avenues i wasn't aware of. lazerbeat you told me you thought were being harsh in IRC but you are helping a lot.

kaneel your words meant a lot too smile and ilkae i'd like to hear more about your frustrations with the topic

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(65 replies, posted in General Discussion)

Lazerbeat, you're right... but... I'm massively discouraged by the way that a successful musician also has to be a successful PR agent, constantly expounding and exaggerating their works, projecting a serious and consistent image and performing many other activities essentially irrelevant to the act of making music. I lampoon myself a lot, spread a little silliness and mystery around my own works, since there's no end of trouble wondering how you can have humility and success at the same time - when you see people in interview being incredibly overconfident in a product essentially anyone could have made, surely it makes you wonder if you're also being too brash?

I treasure anonymity, wonder why a review of a thing can't be separated from the review of a person; does it make a review more interesting to say that I live in south yorkshire and have a real name, or does it just make it lengthier? I idolize bands like the Residents, who concealed their identities, and Magma, who created a language and a credo for themselves, refused to really be interviewed about anything other than the art itself - to say that, now Myspace has come and gone, you have to share your life story to be palatable, makes me more skeptical about the goals of everyone involved. You know... I think you successfully dissuaded me from pursuing this, haha.

Everyone made really good posts here though, I still wanna read the discussion of how you make these things work.

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(65 replies, posted in General Discussion)

i guess it's nothing new to say "i'm proud of my music and wish more people had something to say about it"... i'm hitting many dead ends finding anyone willing to look over my stuff and write something, anything about it. i've noticed most of the people who have success in this area have spent a great deal of time playing live, which is discouraging - i don't think my tunes would really suit the stage. anyone got any tips about this? i'm happy to hear myself played on a podcast now and then but what I really crave is reviews!

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(17 replies, posted in Releases)

Gotta say thanks to the guys behind inpuj.net for working with me on this one.

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(41 replies, posted in General Discussion)

i don't really think many people do ALBUMS well, uh, but lots of people do collections of barely related songs... i guess ubiktune and pause guys have the thematically-linked nature of the type of album i prefer under control - c-jeff's electric might be one of the best

then again a collection of tristendo's unfinished or ohc modules could be my favourite

just now getting into INPUJ, loving the less structural nature of the releases on their label, not yet experienced enough to name favourites... 8bp doesn't really inspire me, my favourite releases there are by guys who are on everything, ie, linde, animalstyle and beyond.

perhaps this'd be an ok list:
1. c-jeff - electric
2. zan-zan-zawa-veia - fell plot
3. jay tholen - (i forgot the name of the one i liked more than the rest but you should listen to all of his stuff)
4. tristendo - (the same deal)

5 would be a compilation of the hours and hours of live TEMP SOUND SOLUTIONS footage shawnphase has shared with me

alex mauer's "lo-gear" and the eat people trilogy is really good... disasterpeace and phlogiston have some outstanding work too, i just forget the album names

maybe replace my own album with a compilation of ant1's stuff... he tends to make the most touching and playful music i've heard done in a tracker, or at least make me laugh

thanks for listening

is an-cat-max electro/chiptune/dance party? i thought he was all about the .HES hentai game music :3333333333333333333333333333333

ant1 "horse" is the "kid a" of chipmusic

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(9 replies, posted in Collaborations)

i fixed it o:3

potential clients should be warned i know what a leitmotif is and i'm not afraid to use it

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(116 replies, posted in General Discussion)

nice improvement

what ze hell are zose circles

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(9 replies, posted in Collaborations)

http://zan-zan-zawa-veia.bandcamp.com/indexpage

just to refresh everyone's memory

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(9 replies, posted in Collaborations)

haha

but seriously

let me make things for your project

or be your personal chiptune slave

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(9 replies, posted in Collaborations)

i'll soundtrack or pixel for money. i'm pretty good

[email protected]

my parents are broke

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(23 replies, posted in Collaborations)

SIR unicorns and pegasi both cost white mana to cast

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(47 replies, posted in Releases)

you're good