aw bummed i missed this. hope to get down for the next one!

Orange Creamsicle wrote:

IMO, most tracks have too much bass, but not even the same amount for every track, which also results in a lack of loudness.

Definitely use some compression if you're looking for more loudness, but not too much. Give the tracks you feel have too much bass a very gentle eq cut, use a wide Q and preferably less than 3dB either way. Use a compressor with a slower attack >10ms, and try to match the release setting to the rhythm of your song to avoid pumping

Try a multiband compressor as well. Some compression in the bass might help you even out some of the tracks. A good, free one I've found: (http://www.kvraudio.com/product/c3_mult … low_slider).

Put a hard limiter on your tracks with the more aggressive drum transients also. You could add 3-6dB of gain easily by just chopping those off.

What do you feel is lacking in your track? Is there something specific you're trying to get from a mastering process?

To my ears it sounds like you've already added some compression to the mix, and possibly some EQ? You also seem to have done all the the sequencing as well.

Reference tracks will help, but I really don't hear anything glaringly wrong with the mixes you posted. Determining in more specific terms what you feel your mix is lacking will give you a better idea of how to address it.

Oh man, I didn't realize this got so big. I'm excited!

"Poniosło mnie" translates to "I got carried away"

I think he was trying to make a clumsy apology, and if so we should try not to let it derail the thread any further!

It's overlong for the material it has. A lot of artists play with repetition, but they key is to introduce variation in other, sometimes more subtle ways than just melodic progression.

Examine each measure, and try to figure out why it's in there and what purpose it serves for the song. Sometimes repeating sections is useful for establishing a melody; sometimes they can act as a refrain.

In your case, I think you have a lot of looping material that doesn't contribute to the song, but rather fatigues it. Taking the material in that four minute track and making it a minute and a half long could be a really nice little ditty.

Also don't get hung up on perfecting something you aren't totally happy with. The more music you make, the more music you'll be able to make! Any individual idea is just as valuable as you want it to be.

Good luck!

How familiar are you with midi?

The 4 voices of the DMG are tied to MIDI channels 1-4. The 5th channel is a composite voice that allows for like polyphony; pretty straightforward, play with it and you'll understand.

Going to this page: https://code.google.com/p/arduinoboy/

and scrolling to MGB MIDI Implementation will give you CC values for each controllable parameter.

Recording the DMG into Logic is the same process as recording anything into Logic. Your signal chain will be: DMG -> A/D -> Logic

Your chain including MIDI commands will be (where --> indicates a MIDI connection rather than audio): MIDI Out from controller --> Aboy DIN 5 MIDI In --> DMG running MGB -> A/D -> Logic

If you want to sync to Logic's clock for sequenced data, you'll need to do something like: Controller MIDI out via USB -->Record MIDI into Logic --> Logic MIDI Out via m-audio UNO --> Aboy DIN 5 MIDI In --> DMG running MGB -> A/D -> Logic

Edit: make sure your Aboy is running in MGB mode smile

ooo neat, but is lexington a nice city y/n?

an old legend...nothing more, nothing more... <.<

you could do this, and it has its charms, but it will not be a hi-fi recording

123

(13 replies, posted in Circuit Bending)

haha neat mod for just a cool 400

124

(26 replies, posted in Nintendo Handhelds)

a classic "worst of both worlds" situation

125

(10 replies, posted in Other Hardware)

herr_prof wrote:

Don't dance like a goon and knock all your gear on the floor.

it's not me i'm worried about tongue

good know the bottom isnt just music stand stuff tho

Ease of Use
Very simple to understand and control! The added tactile controls do wonders for the usability of the Shruthi interface. Menus jump to display values when potentiometers are changed. A solid 90% of editable parameters are given unique, tactile controls, making a very fast interface for programming sounds. some features are a bit puzzling to me. i don't really understand the purpose of the "jam" function, and I would honestly prefer something like portamento controls instead (notably absent from the front panel), but overall a huge improvement over the original shruthi.

Price
very expensive sad the kit with the enclosure ended up costing me around $500. This is about 3 and a half times more than the regular shruthi. that being said I've found the editable parameter controls on the XT to make this a more viable synth to use live, so i haven't ended up regretting the added bones.

Availability
Still in stock as a kit at mutable as far as I can tell. If not, they tend to restock pretty regularly. Fairly easy build, knocked it out in a day.

Durability
I'm not IN LOVE with the acrylic case design, but it's easy to assemble, and seems sturdy enough if you treat it right. The pots end up being fairly solid, and have managed to withstand more abuse than some of my Roland stuff (pesky dr. sample pots)

Sound Quality
A lot could be said here. the synth shines in the bass frequencies, with the analog filter giving a suitably authentic and extreme sound. The digital oscillators allow for an enormous amount of waveform options and customizability. it's a great synth to make interesting and whacky digital sounds and then dial in analog filter edge to taste. that being said, there are some nasty aliasing issues in the higher notes on this synth. I've found it to be particularly difficult to program above C5, where the pleasing rough edges in the bass sounds become cutting and harsh in their upper harmonics.

Its interface allows for more digital/chippy sounds than you might see on a traditional synthesizer. There are some interesting possibilities contrasting lo-fi chippy material with the traditional synth filter. I've had a lot of funs blurring some chip sounds stylistically.

Aestetics/ergonomics
Very cool looking design! screen is bright and easy to read. the knobs look especially electronic legit, mess with them live if you want your friends to think you're v talented.

Size
surprisingly small. is as capable as something like the korg ms2000r, yet manages to be almost a quarter of the size.

Portability
Lightweight, size makes it easy to get around. requires a standard barrel type 9v adapter. no batteries or headphone out on this sucker.

Sustainability
seems like a one shot deal. build it and you're set. might have some trouble sourcing a few of the parts if they go bad, but mutable does a very good job documenting the build list.

Sync-ability
Very midi syncable! nearly every parameter is controllable. has a midi thru with is nice as well. no CV, but who really thought there'd be CV on this.

Compliency
Strictly DIN 5 midi as far as I can tell. no usb or w/e.

Integration
Has a simple onboard sequencer and arp with can be sent to MIDI out, can do some neat stuff sending CC messages from the knobs, and allows for multiple shruthis to be polychained for polyphonic shruthi stuff if that's your dig.

Ease of Modification
Very easy to modify! Some particularly useful mods are actually build into the PCB of the SMR4 MKII including options for changing the filter curve and style. The holes in the sides of the acrylic case are great for mounting extra switches and bits.

Personal Experiences
Replaced my regular Shruthi with this one, and I don't regret. Was admittedly a bit expensive, but the ease of use is such an important factor for me. It has eliminated so much time I spent menu surfing and is honestly just more fun. using this guy live is a dream as well,

127

(10 replies, posted in Other Hardware)

seems sorta scary, how stable is the bottom?

128

(42 replies, posted in General Discussion)

donteatdinosaurs wrote:

they opened their bedroom doors , turn their computers off and went for a walk lol .

this is a perfect comment