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Seems more like you are enjoying this aspect of it, to me.

Part (most?) of the issue is about courtesy and communication and the fact that it's SO easy to contact artists in the chipmusic scene nowadays. The community is so tightly knit and open in communication between artists and fans alike.

I'm not even going to go into the matter of that "profiting on other's work" bit. :\

As far as "taking action" is concerned, I wouldn't really consider asking someone to take your stuff down or letting them know that they really should contact the original content creators as "taking action against someone". That phrase is so inflammatory it's not even funny. :\

Nobody is saying that. Once again, it's about communication and courtesy and not being lazy/perpetuating laziness.

Me personally? I still don't mind if people share my music with whoever, but now that I've come to find out that something of mine has actually been broadcast to an audience as opposed to, say, file-sharing, I can't help but feel slighted that nobody sent me a message or anything. It was exciting to see that somebody liked my junk enough to want to share it with a general audience, but once you get over that green excitement (which a lot of confident established mature artists probably have, maybe [not to say an artist grows out of the excitement of having someone appreciate their output[), the fact that they didn't take the time to say anything about it leaves just a tiny bit of a feeling of emptiness left behind. This is just my personal thought.

Edit: shoot. I didn't mean to type all that...

I'm with TSS on this one. Whether you like the idea or not, it's the creator's right to have a say in what happens with his/her content if he so chooses to speak, and it is only polite and courteous, if you have any respect for the content creator, to contact them and see what he/she has to say, regardless of your so-called (most likely mistaken) "right" to host their content. Even if it's in such a roundabout way as to post a radio playlist in a chipmusic.org thread... >_>

The only legitimate reason I can think of to not contact the artists is because you're afraid they'll say no, lol.

Must make you all feel so tall. Rare opportunity here guys, get your licks in while you can.

I liked the parts where the framerate is synced to the snare.

Also this looks like some kind of hypnosis induction thing.

I meant to come back and edit that with: In DOSBox. Whenever I try to use ATII in dosbox it freezes up and stuff. But yeah, FMC is nice and simple.

Aw shoot. I was doomed from the start. Oh well.

Thanks for clearing that up for me, lol.

Shoot, I procrastinated and then found out that I need a webcam to do it. Oh well.

This is a horrible HORRIBLE misconception that needs to be squashed right now. I see it TOO much. Kazoo takes SO MUCH practice and time to master, due to the fact that it requires you to hold a NOTE with your VOICE. Vocal. training for someone who plans to do vocals in their music is just as important as training with any other aspect of your musical expression, be it an instrument, composition, technical proficiency, etc.

Train your VOICE yo. Sing scales and junk so you can stay ON PITCH, and get your quality of tone on point. Push out that diaphragm and use head-tones on them high notes, kid. Give your throat a rest. And control your vibrato and lung capacity for goodness' sake! If your stomach doesn't feel like it's going to flip inside out at the end of your set, you are doing it wrong.

Get it right, son. And do it often so you don't lose it due to 10 years of vocal laziness.

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