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As an artist:

1) Do you see any inherent worth to releasing your music through a netlabel?
Yes and no.  There is a truth the concept of marketing your appearance by having a protege or alliance of sorts with other talented people.  While content is still king, I often find that a label will only help as much as they have to offer you.  If you're new, not very well known or not very efficient at getting the word about your album out, it may be beneficial if they have a big enough listener base or market outreach.  There's also that whole other half of a label that's supposed to work on licensing and whatnot that I've heard nothing about in regards to netlabels (which, one could argue, "lol u wot, licensing chiptune m8?")

Still wouldn't stop me from trying to get onto one of the more popular ones or one with a market outside of my region.

2) What are the three most important things you look for in a label?
Quality of current content, demographic/market outreach, what else are they associated with for potential future plans.

3) What are the top three labels on which you'd like to have your music and why?
I don't really have an order of priority, nor have I really given it much thought, but Cheapbeats, BleepStreet and Eindbaas come to mind.  I want to expand my music outside of the US.

4) What is the percentage of the money you think should go to the label?
This is entirely dependent on what effort and costs go directly towards operation of the label and their efforts to market their artists.  On the other hand, I also have literally no idea what the traditional-average percentage is supposed to be.

5) What services should the label offer? (art, mastering, physical CDs etc etc)
Distribution (online sales having a different cut versus physical sales, depending on if the label had the CD printed or if the artist paid for that out of pocket;) promotion, and advertisement at a minimum.  Anything else would be up to debate.

6) Your feelings on exclusivity and copyrights?
I know of no net label big enough to demand permanent exclusivity when it comes to artists.  ChipWIN (like them or hate them) doesn't even have permanent exclusivity and imo, I don't think they ever should.  Content is up to debate, as I would feel cheapened as a customer to buy an album which had overlapping music. 

Copyright is something I wish I could comment more on, but I certainly need more education on intellectual property concepts and laws before I say more of it.

As a customer

1) What, if any, influence does a label has on your purchasing habits?
If the label has enough establishment and quality releases I'll often check out the album and consider purchasing it.  Otherwise, eh.

2) Do you prefer to buy directly from an artist, or through a label?
Directly from an artist, but that is not to say I won't buy from established labels.

3) What are you top three favorite labels and why?
I really haven't put much thought into that.  Cheapbeats consistently has good releases.  Everyone else I don't doubt has great releases, but I've always put the artist as the first association unless it's a compilation album.

4) What would you consider a appropriate price range for chiptune albums?
I'm usually a $5-10 USD kind of person for album purchases.  Rarely would I turn down a free album, but at this point I can't justify not giving the artist something if possible.

5) Does the storefront (bandcamp, custom website, etc) influence your purchases?
I like bandcamp's concept and I use them out of convenience.  I still need to look into other storefronts.

6) Your opinion on physical copies? (cd, tape, vinyl, etc)
Love it.  Digital downloads are great, infinitely less costly and equally easy to distribute; they don't sell well at shows, especially to markets outside of our typical demographic.

7) Your opinion on merch? (tshirts, stickers, garter belts, etc)
I'm really, really picky on most clothing merchandise.  Stickers and buttons are neat little promo pieces.  Posters are also cool.  Powerglove used to sell custom foam swords, which for anyone familiar with their shows is a cute concept.

Note:  Edited #6 on the artist half for further clarification.

Whoa, doublepost, accidentally double-clicked (it's freezing in here right now.)  Sorry; please delete this post and keep the above.  Thank you. 

...  Well, it'll be streaming once Al's gets their internet on a leash.

AWYEAHHHH, IT'S STREAMING LIVE!  http://www.twitch.tv/clip_stream

Sweet!  I'll check it out!

http://www.ustream.tv/channel/clipstream , and videos of the previous shows should be the first thing that pops up whenever we're not live.

That feature and the capability to broadcast in stereo were two things that made us consider moving over to G+ in the past.  We're more concerned about the video quality, considering the few of us from Clipstream that were on WWCW kept looking terrible whenever we tried to preview what was being sent on stream. 

On a more personal nitpick, apparently Xsplit (my preferred software for making my show more than me "sitting around hitting buttons") doesn't seem to like working with G+.  It caused me to start later than I wanted to and almost crashed my computer as I was loading the WWCW hangout.  That or my computer is outdated as hell and had trouble running things (which, let's face it, is more likely.)

Both have their setbacks, it's just a question of which setback would be worse for us.  We're out to lunch on that.

Edited for grammar, because apparently I sure as hell can't proofread.