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@saskrotch: he supposedly worked with protracker on the amiga too. and his first cassettes were all protracker. but i don't know for sure. do you have any hard evidence?

Oh yeah, and Patric Catani. He's got new AHX-stuff coming out soon, I hope. All in his characteristic psycho-style. Some stuff also @ https://8bc.org/members/toytone

post@l market arranged some party in italy recently, but not with chipmusic. not into it anymore, afaik.

future-eater is not doing any new music, but he recently put a lot of his old stuff at modland. with the name that he used to release stuff for the tracker-label noise back in the days. uhm. ah, can't remember now.

edit: Stout!

i just got a 1541U and it's great. before that, i didn't have any transfer-kit. for 15 years, because i already had what i needed. don't make things more complicated/slick/expensive than necessary.

floppy forever.

Not sure I understand you. But, since it's basically impossible to say why/how we like music, why do you want discuss it as if there was one answer to get to?

I guess we always understand a song in relation to some set of limitations. A gameboy-beat is different if we hear it in a hip-hop club. Stereotypes, languages and genres help us to understand situations in different ways. What if "mood" is a limitation?

As said, all technology has "limitations". If there were no limitations, there would be nothing. No character, no fun.

Chipmusic people are constantly confirming the idea that less channels is more limiting than more channels. (perhaps some mean that limited != limiting, but still..) Or less waves, bits or pixels or whatever. But it's not. Right? Why would you use something that *actually* limits you?

4 channels is *better* than 32 channels!