also STFUDIXLS
401 Aug 30, 2012 5:55 pm
Re: [US, NY] 8.30.2012 - DECKTONIC @Lomo Gallery U.O. Exhibit -7PM FREE (9 replies, posted in Past Events)
402 Aug 30, 2012 5:15 pm
Re: [US, NY] 8.30.2012 - DECKTONIC @Lomo Gallery U.O. Exhibit -7PM FREE (9 replies, posted in Past Events)
chiptune isn't analog tho
it's a hipster event. therefore
403 Aug 30, 2012 2:57 pm
Re: [US, NY] 8.30.2012 - DECKTONIC @Lomo Gallery U.O. Exhibit -7PM FREE (9 replies, posted in Past Events)
Yes this is happening today.
Yes I'm spinning chipmusic for 3 straight hours.
Yes, if you have some chill melodic chip house I haven't heard yet, send it over and I'll drop it in my set.
404 Aug 28, 2012 9:20 pm
Re: Inexpensive Low Quality Vinyl Pressing? (97 replies, posted in General Discussion)
I don't know if this has been mentioned already but mastering for vinyl is very different from mastering for CDs / digital. maybe in some cases it won't matter or maybe you don't care about the sound quality but you should at least do some research on the subject and make sure that your masters will be fit for vinyl pressing.
405 Aug 28, 2012 5:45 pm
Re: a new future for chipmusic? (76 replies, posted in Releases)
I agree with ant1, the music is way better than the description suggests.
I also agree with OP, if something is the "future of chipmusic," this might be it. Sometimes the best way to make waves for a style of music that might seem "weird" to people is to present it in a totally new way. For example:
but what do I know.
406 Aug 28, 2012 2:02 pm
Re: [US,NY] 9.3.12 I/O Natty | Br1ghtPr1mate | ActiveKnowledge | Decktonic (16 replies, posted in Past Events)
407 Aug 27, 2012 3:47 pm
Re: an0va's busking and performing thread (42 replies, posted in General Discussion)
I guess my point is that if you're perhaps nervous/wallflowery, don't be afraid to adopt a stage persona--it may help, and if you make chill music, don't jump around. You can wave your hands or clap or something to get the audience locked into the groove. You don't have to be a spazz on the stage. Give yourself work to do, when you're not working your gear, do something appropriate. Maybe it's spazzing out and jumping. Maybe it's bobbing your head and waving your hands in the air. Maybe it's adjusting your tie.
this is why I wear my blue glasses whenever I perform. plus, the fact I have trouble seeing through them prevents me from focusing on the crowd, which would probably make me very nervous.
A story: A couple years ago I was fortunate enough to catch a certain very accomplished chip musician playing a live set. This is a guy who almost never plays live shows. The music was insanely good and everyone was very into it, dancing like crazy and cheering a lot. While the whole crowd was going wild, the guy on stage pretty much stayed rigid, shrugging the whole time, and whenever he looked up he had this look on his face like "what are you guys looking at please don't look at me." Some months after the show, a coworker of mine mentioned that he had worked with this musician in the past and that this musician has the worst stage fright you could ever imagine. Apparently this guy abhors being up there. But it honestly didn't matter what he did because like I said, the music was outrageously good and we all got into it.
That being said, this won't work for most people. What I will say is that the advice that's already been presented is very sound: be honest. People can see through this kind of stuff. Case in point, I saw another performance where the musician had a keyboard and a mic and she was playing and singing, and her music was OK, kinda moody lo-fi dancey stuff, but she also had a couple friends in these blue bodysuits with glowing balls standing behind her, and they should probably have been dancing or posing but they didn't seem to know what to do, so they did a kind of half-dancing, half-posing routine that was just too awkward to go along with. It was like, what's the point of having people in costume up there if they aren't really doing anything? And to make things worse, I think they were distracting from the musician's playing and singing, which was actually pretty cool to see at a show where you usually just have some guy leaning over a gameboy the whole time. Furthermore, if you are going to put on some kind of show, you should definitely be prepared. It's gonna be obvious otherwise.
Anyway there is a lot to be said for stage presence, and I think some bands / musicians get a lot of points for putting on a good show live, even when their music is mediocre. Some people prefer to see that sort of thing... after all, some people respond more to visuals than others. Lastly, I would say that if you want people to dance or clap or jump around to your stuff, maybe you should do it too. If the crowd isn't dancing enough, show them what they should be doing. Maybe they just need that first person who is going to "break the ice" so they can feel comfortable dancing too, and maybe that first person should be you.
Okay, enough rambling. Just go with your instincts, put yourself out there and nobody can put you down for trying
408 Aug 27, 2012 3:00 am
Re: [US,NY] 9.3.12 I/O Natty | Br1ghtPr1mate | ActiveKnowledge | Decktonic (16 replies, posted in Past Events)
409 Aug 24, 2012 8:29 pm
Re: Note! - pirateweather (12 replies, posted in Releases)
so great to hear some new Note! I am excite
410 Aug 23, 2012 8:49 pm
Re: 8/8 Piko Piko Detroit Website Launch (17 replies, posted in Releases)
snesei wrote:We were featured in an article on Huffington Post
awesome!
yo this Serial Lover instrumental is so good, Pikoboy.
411 Aug 23, 2012 6:58 pm
Re: S.P.R.Y. - Natural Tendencies [Album Release] (4 replies, posted in Releases)
This is impressive, probably the best thing I've heard around these parts in a while. You definitely managed to capture a certain high-energy, raw atmosphere out of the gameboy that I think screams "this is why we rip the chip" and it all sounds extremely well produced too. Nice work.
412 Aug 23, 2012 6:56 pm
Re: Which of your EP's/Albums did you enjoy making the most? (38 replies, posted in Releases)
My latest, Union Square, since I wrote it over a short period of intense inspiration and everything came out exactly how I wanted it to on pretty much the first try, it was a cathartic experience. I didn't have any of the frustration I've experienced with most of my music writing. I think part of what made it so enjoyable was that I started out with the aim of making something minimal with a classic analog sound, rather than trying to bend the medium into doing something it's not really made for. So, not something where I was pushing any boundaries or doing anything impressive, but in the end it was fun.
413 Aug 23, 2012 3:59 pm
Re: 8/8 Piko Piko Detroit Website Launch (17 replies, posted in Releases)
We were featured in an article on Huffington Post
awesome!
414 Aug 22, 2012 8:55 pm
Re: new tss releases for august - first up cow'p & sp! (10 replies, posted in Releases)
wow sheesh wow
415 Aug 22, 2012 8:53 pm
Re: [5.09] ANALOG ATTACK w/ cTrix/Sabrepulse/Henry Homesweet/8GB/Matt Nida (46 replies, posted in Past Events)
wow
416 Aug 22, 2012 8:48 pm
Re: PB076 | Falling For A Square - D I A R Y (12 replies, posted in Releases)
hell yes